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An introduction to the phenomenology of performance art : SELF/s / T. J. Bacon.

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Format:
Book
Author/Creator:
Bacon, T. J., author.
Language:
English
Subjects (All):
Performance art.
Phenomenology.
Physical Description:
1 online resource (280 pages)
Edition:
1st ed.
Place of Publication:
Bristol, England : Intellect Ltd, [2022]
Summary:
An introduction to the study and application of performance art through phenomenology for radical artists, educators and practitioner-researchers. Features exercises to activate your practice, clear introductory definitions to key phenomenological terms, and a multimodal design that lets the reader choose how to read the book. 36 illus.
Contents:
Front Cover
Half Title
Frontispiece
Title Page
Copyright Page
Dedication
Epigraph
Table of contents
Acknowledgements
Foreword Enduring Reorientations: Self, Time, and Space in Performance
Author's Note
Introduction
1 Embodied Experience
Identity, Sexuality, and Gender
Lori Baldwin
Anne Bean
Rosana Cade and Will Dickie
Esther Marveta Neff
Niko Wearden
Cultural Contexts
Jamal Harewood
Regina José Galindo
Health and Dis/Ability
Katherine Araniello
Kamil Guenatri
2 The Rapture and Rupture of the Lived Body
Rapture
Rocio Boliver
Louis Fleischauer
Weeks and Whitford
Rupture
Hellen Burrough
Arianna Ferrari
Ernst Fischer
3 The Intersubjectivity and Intercorporeality of Noise and Sonic Arts
Sound through the Body
Sarah Glass
Joke Lanz
Mother Disorder
Sound through Collaboration
FK Alexander
Clive Henry and Yol
4 The Perception of Self/s
Vulnerability
Helena Goldwater
Natalie Ramus
Helen Spackman
Failure
Chelsea Coon
Selina Bonelli
Heather Sincavage
Extremis
tjb
Hancock and Kelly
Niko Raes
Postface The Argument for Queering 'The Origin of the Work of Art'
Manifesto for Performance Artist as Artwork
Notes
Bibliography
Back Cover.
Notes:
Description based upon print version of record.
Includes bibliographical references.
Description based on print version record.
ISBN:
1-78938-531-8

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