My Account Log in

2 options

The allure of glazed terracotta in Renaissance Italy.

DOAB Directory of Open Access Books Available online

View online

Publisher website (free ebooks) Available online

View online
Format:
Book
Author/Creator:
Sarnecka, Zuzanna.
Series:
Studies in medieval and early Renaissance art history
Studies in Medieval and Early Renaissance Art History
Language:
English
Subjects (All):
Art--History.
Art.
Physical Description:
1 online resource (184 pages)
Place of Publication:
London - Turnhout : Brepols Publishers, 2022.
Summary:
This book explores the role of glazed terracotta sculpture in Renaissance Italy, from c. 1450 to the mid-1530s. In its brightness and intense colour glazed terracotta strongly attracted the viewer's gaze. Its pure and radiant surfaces also had the power to raise the mind and soul of the faithful to contemplation of the divine. The quasi-magical process of firing earthenware coated with tin-based paste, promoted initially by imports from the East, was seized upon by Luca della Robbia, who realised that glazed terracotta was the ideal vehicle for the numinous. He began to create sculptures in the medium in the 1430s, and continued to produce them for the rest of his life. After Luca's death, his nephew, Andrea della Robbia, inherited his workshop in Florence and continued to develop the medium, together with his sons. The book considers some of the large-scale altarpieces created by the Della Robbia family in parallel with a number of small-scale figures in glazed terracotta, mostly made by unidentified sculptors. The captivating illustrations integrate these two categories of glazed terracotta sculpture into the history of Italian Renaissance art. By focusing on a specific artistic medium which stimulated piety in both ecclesiastical and domestic contexts, this book offers new ways of thinking about the religious art of the Italian Renaissance. The links it establishes between lay devotion and the creation of religious images in glazed terracotta invite reassessment of habitual distinctions between private and public art.
Notes:
Includes bibliographical references and index
Description based on publisher supplied metadata and other sources.
ISBN:
1-912554-89-5
9781912554898
OCLC:
1295277322
Access Restriction:
Unrestricted online access

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account