Novai︠a︡ zhenshchina v kinematografe perekhodnykh istoricheskikh periodov / Svetlana Smagina.
Новая женщина в кинематографе переходных исторических периодов Светлана Смагина.

Format:

Book

Author/Creator:

Smagina, S. A., author.

Смагина, С. А, author.

Contributor:

Alumni and Friends Memorial Book Fund.

Series:

Gendernye issledovanii︠a︡ (Novoe literaturnoe obozrenie (Firm))

Gendernye issledovanii︠a︡

Гендерные исследования

Гендерные исследования (Новое литературное обозрение (Firm))

Language:

Russian

Subjects (All):

Feminism and motion pictures--History--20th century.

Feminism and motion pictures.

Women in motion pictures.

Motion pictures--Soviet Union--History.

Motion pictures.

Motion pictures--Russia (Federation)--History.

Motion pictures--Europe--History--20th century.

Europe.

Russia (Federation).

Soviet Union.

Genre:

History

Physical Description:

370 pages ; 22 cm.

Place of Publication:

Moskva : Novoe literaturnoe obozrenie, 2023.

Москва : Новое литературное обозрение, 2023.

Summary:

The great social transformations of the 20th century in Russia and Europe invariably led to a revision of established gender conventions. It was during these periods that the so-called new women appeared in culture - characters who reflected the values ​​of the progressive part of society and hopes for even greater female emancipation. Svetlana Smagina in her book puts forward the concept that social changes are represented in cinema precisely through such characters, and analyzes in detail the images of new women in the national cinema of the Scandinavian countries, Germany, France and Russia. The author demonstrates how, over time, heroines who previously did not fit into the patriarchal coordinate system and occupied a marginal place in society become mouthpieces of revolutionary ideas and new feminist values. The researcher focuses on three historical periods that profoundly changed the development not only of Russia in the 20th century, but also of Western countries: the revolutionary transformations that began in 1917 (including a kind of preparatory pre-revolutionary period), changes in the social formation after 1991 in Russia, and the period of youth unrest in the 1960s in Europe.

Contents:

Vvedenie. Zhenskie obrazy v kino i sot︠s︡ialʹno-kulʹturnye izmenenii︠a︡ v obshchestve

Obraz "novoĭ zhenshchiny" v datskom kinematografe 1910-kh godov

"Novai︠a︡ zhenshchina" v nemet︠s︡kom kinematografe 1920-kh godov: Ot khudozhestvennogo obraza femme fatale do ideologicheskoĭ kont︠s︡ept︠s︡ii

Obraz "novoĭ zhenshchiny" kak simvol razryva mezhdu starym i novym v kinematografe 1910-1930-kh godov

"Novye frant︠s︡uzhenki" R. Vadima, Zh.-L. Godara, F. Tri︠u︡ffo, K. Shabroli︠a︡ i A. Varda kak manifest evropeĭskogo feminizma v kinematografe

Dinamicheskiĭ zhenskiĭ obraz v kinematografe kak zerkalo sot︠s︡iokulʹturnykh peremen v obshchestve (na primere obraza baleriny).

Введение. Женские образы в кино и социально-культурные изменения в обществе

Образ "новой женщины" в датском кинематографе 1910-х годов

"Новая женщина" в немецком кинематографе 1920-х годов: От художественного образа femme fatale до идеологической концепции

Образ "новой женщины" как символ разрыва между старым и новым в кинематографе 1910-1930-х годов

"Новые француженки" Р. Вадима, Ж.-Л. Годара, Ф. Трюффо, К. Шаброля и А. Варда как манифест европейского феминизма в кинематографе

Динамический женский образ в кинематографе как зеркало социокультурных перемен в обществе (на примере образа балерины).

Notes:

Includes bibliographical references (pages 356-361) and index.

Local Notes:

Acquired for the Penn Libraries with assistance from the Alumni and Friends Memorial Book Fund.

ISBN:

9785444819937

5444819937

OCLC:

1398523834