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Bombay hustle : making movies in a colonial city / Debashree Mukherjee.

De Gruyter Columbia University Press Complete eBook-Package 2020 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Mukherjee, Debashree (Film historian), author.
Series:
Film and culture.
Film and Culture
Language:
English
Subjects (All):
Motion picture industry--India--Mumbai--History--20th century.
Motion picture industry.
Physical Description:
1 online resource (444 pages).
Place of Publication:
New York : Columbia University Press, 2020.
Summary:
From starry-eyed fans with dreams of fame to cotton entrepreneurs turned movie moguls, the Bombay film industry has historically energized a range of practices and practitioners, playing a crucial and compelling role in the life of modern India. Bombay Hustle presents an ambitious history of Indian cinema as a history of material practice, bringing new insights to studies of media, modernity, and the late colonial city.Drawing on original archival research and an innovative transdisciplinary approach, Debashree Mukherjee offers a panoramic portrait of the consolidation of the Bombay film industry during the talkie transition of the 1920s–1940s. In the decades leading up to independence in 1947, Bombay became synonymous with marketplace thrills, industrial strikes, and modernist experimentation. Its burgeoning film industry embodied Bombay’s spirit of “hustle,” gathering together and spewing out the many different energies and emotions that characterized the city. Bombay Hustle examines diverse sites of film production—finance, pre-production paperwork, casting, screenwriting, acting, stunts—to show how speculative excitement jostled against desires for scientific management in an industry premised on the struggle between contingency and control. Mukherjee develops the concept of a “cine-ecology” in order to examine the bodies, technologies, and environments that collectively shaped the production and circulation of cinematic meaning in this time. The book thus brings into view a range of marginalized film workers, their labor and experiences; forgotten film studios, their technical practices and aesthetic visions; and overlooked connections among media practices, geographical particularities, and historical exigencies.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction Mapping a Cine-Ecology
CHAPTER ONE Speculative Futures Teji-Mandi
CHAPTER TWO Scientific Desires Jadu Ghar
CHAPTER THREE Voice Awaaz
CHAPTER FOUR Vitality Josh
CHAPTER FIVE Exhaustion Thakaan
CHAPTER SIX Short Circuit Struggle
Epilogue
Notes
Bibliography
Index
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
0-231-55167-3
OCLC:
1152353032

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