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Subjectivity : filmic representation and the spectator’s experience / Edited by Dominique Chateau.
- Format:
- Book
- Series:
- The key debates
- Language:
- English
- Physical Description:
- 1 online resource.
- Place of Publication:
- Amsterdam : Amsterdam University Press, 2011.
- Language Note:
- In English.
- Contents:
- Frontmatter
- Contents
- Editorial
- Acknowledgments
- Introduction: Rethinking Subjectivity in Film / Dominique Chateau
- Part I From Mind to Film, from Film to Mind
- The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film / José Moure
- The Representation of Experience in Cinema / Gregory Currie
- Beyond Subjectivity: The Film Experience / Francesco Casetti
- Part II Ways of Expressing Subjectivity
- The Man Who Wasn't There: The Production of Subjectivity in Delmer Daves' Dark Passage / Vivian Sobchack
- From Aesthetic Experience to the Loss of Identity, in Three Steps / Pere Salabert
- Robert Bresson and the Voices of an Inner World: "I" Can Never Be "You," or the Impossible Identification / Céline Scemama
- The Silence of the Lenses: Blow Up and the Subject of Photography / Pierre Taminiaux
- Part III Subjectivity and the Epistemology of Film Studies
- Beyond Subjectivity. Bakhtin's Dialogism and the Moving Image / Karl Sierek
- Imaginary Subject / Jacinto Lageira
- A Philosophical Approach to Subjectivity in Film Form / Dominique Chateau
- Part IV Conversation Subjectivity in Artistic Coupling
- Conversation with Maria Klonaris and Katerina Thomadaki / Marina Gržinić
- Notes
- General Bibliography
- Notes on Contributors
- Index of Names
- Index of Film Titles
- Index of Subjects
- Notes:
- This eBook is made available Open Access under a Creative Commons Attribution (CC BY) license: https://creativecommons.org/licenses/by-nc-nd/4.0
- Description based on online resource; title from PDF title page (publisher's Web site, viewed October 02 2025)
- ISBN:
- 9789048514205
- 9048514207
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