1 option
Music, a connected art : Die Illusion der absoluten Musik : a Festschrift for Jürgen Thym on His 80th birthday / edited by Ulrich J. Blomann, David B. Levy, Ralph P. Locke, and Frieder Reininghaus.
Van Pelt - Albrecht Music Library ML3845 .M87 2023
Available
- Format:
- Book
- Series:
- Sammlung musikwissenschaftlicher Abhandlungen (Valentin Koerner GmbH) ; v. 103.
- Sammlung musikwissenschaftlicher Abhandlungen, 0085-588X ; volume 103
- Language:
- English
- German
- Subjects (All):
- Thym, Jürgen, 1943-.
- Thym, Jürgen.
- Music--Philosophy and aesthetics.
- Music.
- Music--History and criticism.
- Gender identity in music.
- Physical Description:
- 365 pages : illustrations, music ; 23 cm.
- Other Title:
- Illusion der absoluten Musik
- Place of Publication:
- Baden-Baden : Verlag Valentin Koerner, 2023.
- Language Note:
- Chiefly in English; 6 contributions in German.
- Contents:
- Editor's introduction. I. The nature of music, music-making, and listening. On the origin of music: a hypothesis / Ulrich J. Blomann ; Warum wir hören, was wir hören: Neuropsychologische Aspekte musikalischer Wahrnehmung / Wilfried Gruhn ; Why the concert didn't die, Mr. Gould; or, musicology's multimodal problem / Michael Broyles ; The musical cryptography of Niels Gade, or, what's in a name? / R. Larry Todd
- II. Music and poetry. "Morgenrot und Schwarze Hand: - :Petersil und Suppenkraut" : Die prosodische Parodierung als Kontrafaktur ohne Musik in einem Werk des jüdischen Dichters Manfred Winkler / Hanns-Werneer Heister ; "Der Sänger der Machtergreifung": Joseph Maria Müller-Blattau und die totgeschwiegene Melodieausgabe des Rostocker Liederbuchs / Hartmut Möller ; Translating a Winter's journey: crossing cultural boundaries / Susan Youens ; The gardens of Alcinous: Schubert's dream and non-dream / Lorraine Byrne Bodley ; Poetic endings and song endings in "Gute Nacht" and "Der Leiermann" from Schubert's Winterreise / Yonatan Malin ; "Und ringt die Hände": On hidden labors / Seth Brodsky ; Hermeneutical views of John Cage: two snapshots / Rob Haskins ; On colliding with the chorale in Robert Schumann's "Anfangs wollt' ich fast verzagen" / Jennifer Ronyak ; "Whose spinnrad is it anyway!?": deconstructing gender specificity in art-song performance / Matthew Valverde ; Two responses to Eichendorff's "Nachtblume": a comparison of settings by Fanny Hensel and Hugo Wolf / Harald Krebs ; In praise of simplicity: Marie Hinrichs's op. 1, Neun Gesänge / Stephen Rodgers ; Remembering the "Tempest"-Sonata controversy / Albrecht Riethmüller
- III. Music and theater/opera/film. Faustian identities: reimagining a myth in twenty-first-century opera / Caroline Ehman ; Nachhall der Kriege im Osten. Von Monteverdi bis zur Gegenwart / Frieder Reininghaus ; I remember it well: faulty memory and the broadwar musical / Kim H. Kowalke ; "Here am I, your special island": stage musicals vs. screen adaptations / Rufus Hallmark
- IV. Music-making in time and place. Simone Vesi's Vesper music in Lübeck, Stockholm, and Bologna / Kerala J. Snyder ; Gegenliebe: the reciprocal lvoe between Beethoven and the orchestra of the theater an der Wien / Theodore Albrecht ; Teaching Beethoven post-2020 / Mary Natvig ; Music's connections: experiences in the classroom / Ralph P. Locke
- V. Music and the individual composer's voice. Bach and the art of diminution / David Beach ; Will the real F. Mendelssohn please stand up?: a source study / Marie Rolf ; Friedrich Theodor Vischer, Louise Otto, and the Nibelungs / David B. Levy ; William Albright's Juba for organ: idiomatic gesture and organ design / Douglas Reed.
- Notes:
- Includes bibliographical references and index (pages 357-365).
- ISBN:
- 9783873206038
- 387320603X
- OCLC:
- 1390757959
The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.