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Radical poetry : aesthetics, politics, technology, and the Ibero-American avant-gardes, 1900-2015 / Eduardo Ledesma.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Ledesma, Eduardo, 1972- author.
Series:
SUNY series in Latin American and Iberian thought and culture.
SUNY series in Latin American and Iberian Thought and Culture
Language:
English
Subjects (All):
Experimental poetry, Latin American--History and criticism.
Experimental poetry, Latin American.
Avant-garde (Aesthetics)--Latin America.
Avant-garde (Aesthetics).
Modernism (Literature)--Latin America.
Modernism (Literature).
Physical Description:
1 online resource (360 pages) : color illustrations.
Place of Publication:
Albany, New York : SUNY Press, 2016.
Summary:
With a broad geographic and linguistic sweep covering more than one hundred years of poetry, this book investigates the relationships between and among technology, aesthetics, and politics in Ibero-American experimental poetry. Eduardo Ledesma analyzes visual, concrete, kinetic, and digital poetry that questions what the "literary" means, what constitutes poetry, and how, if at all, visual and verbal arts should be differentiated. Radical Poetry examines how poets use the latest technologies (cinematography, radio, television, and software) to create poetry that self-consciously interrogates its own form, through close alliances with conceptual and abstract art, performance, photography, film, and new media. To do so, Ledesma draws on pertinent theories of metaphor, affect, time, space, iconicity, and cybernetics. Ledesma shows how José Juan Tablada (Mexico), Joan Salvat-Papasseit (Catalonia), Clemente Padín (Uruguay), Fernando Millán (Spain), Décio Pignatari (Brazil), Ana María Uribe (Argentina), and others turn words, machines, and, more recently, the digital into flesh, making word-objects "come alive" by assembling text to act and seem human, whether on the page, on walls, or on screens.
Contents:
Introduction: An overview
The historical avant-gardes: futurist metaphors
The sixties neo-avant-gardes: a political turn
Digital poetry and metaphor's reprise
Modernisms on the move: mechanic, kinetic, cinematic
Letters and lettrism: deconstructing the new vanguards
Latin American digital poetry: animated embodiment
Modernismo: cannibalistic appropriation and advertisement
Concrete aesthetics: abstraction, mass media, and ideology
Luso-Brazilian e-poetry and performance
Conclusion: Toward a radical aesthetics?.
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9781438462028
1438462026

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