Music in the London theatre from Purcell to Handel / edited by Colin Timms, Bruce Wood.

Format:

Book

Contributor:

Timms, Colin, editor.

Wood, Bruce, 1945- editor.

Language:

English

Subjects (All):

Opera--England--17th century.

Opera.

Opera--England--18th century.

Physical Description:

1 online resource (xv, 268 pages) : digital, PDF file(s).

Place of Publication:

Cambridge : Cambridge University Press, 2016.

Summary:

This book is concerned with a hundred years of musical drama in England. It charts the development of the genre from the theatre works of Henry Purcell (and his contemporaries) to the dramatic oratorios of George Frideric Handel (and his). En route it investigates the objections to all-sung drama in English that were articulated in the decades around 1700, various proposed solutions, the importation of Italian opera, and the creation of the dramatic oratorio - English drama, all-sung but not staged. Most of the constituent essays take an in-depth look at a particular aspect of the process, while others draw attention to dramatic qualities in non-dramatic works that also were performed in the theatre. The journey from Purcell to Handel illustrates the vigour and vitality of English theatrical and musical traditions, and Handel's dramatic oratorios and other settings of English words answer questions posed before he was born.

Contents:

[Part] I : From Purcell to Handel

Purcell's "scurvy" poets / Roger Savage

Opera as literature and the triumph of music / Martin Adams

The British enchanters and George Granville's theory of opera / Wolfgang Hirschmann

Lost chances: obstacles to English opera for Purcell and Handel / Jeffrey Barnouw

Alexander's feast, or The power of perseverance: Dryden's plan for English opera and its near-fulfilment in a Handel ode / Andrew Pinnock and Bruce Wood

[Part] II : Handel and Italian opera

Ombra mai fu: shades of Greece and Rome in the librettos for Handel's London operas / Peter Brown

Handel and the uses of antiquity / Reinhard Strohm

From Metastasio's Alessandro to Handel's Poro: a change of dramatic emphasis / Graham Cummings

Deidamia as an "Heroi-comi-pastoral" opera / Sarah McCleave

[Part] III : Handel and English works in the theatre

Seventeenth-century literary classics as eighteenth-century libretto sources: Congreve, Dryden and Milton in the 1730s and 1740s / Matthew Gardner

"In this ballance seek a character": the role of "il moderato" in L'allegro, il penseroso ed il moderato / Ruth Smith

"Straight mine eye hath caught new pleasures": glancing and gazing spectatorship in Handel's L'allegro, il penseroso ed il moderato / Matthew Badham

Accompanied recitative and characterisation in Handel's oratorios / Liam Gorry

Handel, Charles Jennens and the advent of scriptural oratorio / John H. Roberts.

Notes:

Title from publisher's bibliographic system (viewed on 07 Jul 2017).

Includes bibliographical references and index.

ISBN:

1-108-12426-7

1-108-12487-9

1-108-12497-6

1-108-12507-7

1-316-60828-X

1-316-65081-2

1-108-12517-4

1-108-12557-3