Galileo's Thinking Hand : Mannerism, Anti-Mannerism and the Virtue of Drawing in the Foundation of Early Modern Science / Horst Bredekamp.

Format:

Book

Author/Creator:

Bredekamp, Horst, Author.

Contributor:

Mitch, Cohen

Language:

English

Subjects (All):

Galilei, Galileo, 1564-1642.

Galilei, Galileo.

Kunsttheorie.

Ludovico Cigoli.

Zeichnung.

art theory.

drawing.

Local Subjects:

Kunsttheorie.

Ludovico Cigoli.

Zeichnung.

art theory.

drawing.

Physical Description:

1 online resource (376 pages)

Place of Publication:

Berlin ; Boston : De Gruyter, [2019]

Language Note:

In English.

Summary:

Contemporary biographies of Galilei emphasize, in several places, that he was a masterful draughtsman. In fact, Galilei studied at the art academy, which is where his friendship with Ludovico Cigoli developed, who later became the official court artist. The book focuses on this formative effect - it tracks Galilei's trust in the epistemological strength of drawings. It also looks at Galilei's activities in the world of art and his reflections on art theory, ending with an appreciation of his fame; after all, he was revered as a rebirth of Michelangelo. For the first time, this publication collects all aspects of the appreciation of Galilei as an artist, contemplating his art not only as another facet of his activities, but as an essential element of his research.

Contents:

Frontmatter

CONTENTS

FOREWORD

I. INTRODUCTION: PEIRCE'S POSTULATE

II. GALILEO AS THE NEW MICHELANGELO

III. ARTISTIC CLARITY AND CULTURAL CRITIQUE

IV. IMAGES OF JUPITER, THE FIXED STARS, AND THE MOON

V. IMAGES OF THE SUNSPOTS

VI. ART AS A SPACE OF ACTION

VII. THE BOOK OF PHILOSOPHY AND THE BOOK OF NATURE

VIII. CONCLUSION: PEIRCE'S CERTAINTY

APPENDIX

Notes:

Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

ISBN:

3-11-053830-X

3-11-053921-7

OCLC:

1100459168