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Fictional blues : narrative self-invention from Bessie Smith to Jack White / Kimberly Mack.
- Format:
- Book
- Author/Creator:
- Mack, Kimberly, author.
- Series:
- African American intellectual history.
- African American intellectual history
- Language:
- English
- Subjects (All):
- Blues musicians--United States.
- Blues musicians.
- Blues (Music)--History and criticism.
- Blues (Music).
- African Americans--Folklore.
- African Americans.
- Music and folklore.
- Physical Description:
- 1 online resource (1 online resource.)
- Edition:
- 1st ed.
- Place of Publication:
- Amherst, Massachusetts : University of Massachusetts Press, [2020]
- Summary:
- The familiar story of Delta blues musician Robert Johnson, who sold his soul to the devil at a Mississippi crossroads in exchange for guitar virtuosity, and the violent stereotypes evoked by legendary blues "bad men" like Stagger Lee undergird the persistent racial myths surrounding "authentic" blues expression.
- Contents:
- Introduction
- The narrative blues tradition : Tall tales, myths, and Black American folklore
- Shug, Big Mama, and Amy : Autobiographical fictions and addictions
- "I was astounded at what I heard" : Robert Johnson's autobiographical and biographical afterlives
- From John Anthony Gillis to Jack White : A study in blues self-invention
- The blues apprenticeship : Racialized conventions of the acolyte
- Afterword.
- Notes:
- Includes bibliographical references and index.
- Description based on print version record.
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 1-61376-795-1
- OCLC:
- 1236131817
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