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The portrait of Beatrice : Dante, D. G. Rossetti, and the imaginary lady / Fabio A. Camilletti.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Camilletti, Fabio, author.
Series:
The William and Katherine Devers Series in Dante and Medieval Italian Literature
Language:
English
Subjects (All):
Symbolism in literature.
Women in literature.
Dante Alighieri, 1265-1321--Characters.
Dante Alighieri.
Portinari, Beatrice, 1266-1290--In literature.
Portinari, Beatrice.
Rossetti, Dante Gabriel, 1828-1882--Criticism and interpretation.
Rossetti, Dante Gabriel.
Physical Description:
1 online resource (220 p.)
Place of Publication:
University of Notre Dame Press, 2019.
Summary:
The Portrait of Beatrice examines both Dante's and D. G. Rossetti's intellectual experiences in the light of a common concern about visuality. Both render, in different times and contexts, something that resists clear representation, be it the divine beauty of the angel-women or the depiction of the painter's own interiority in a secularized age. By analyzing Dante's Vita Nova alongside Rossetti's Hand and Soul and St. Agnes of Intercession , which inaugurates the Victorian genre of 'imaginary portrait' tales, this book examines how Dante and Rossetti explore the tension between word and image by creating 'imaginary portraits.' The imaginary portrait-Dante's sketched angel appearing in the Vita Nova or the paintings evoked in Rossetti's narratives-is not (only) a non-existent artwork: it is an artwork whose existence lies elsewhere, in the words alluding to its inexpressible quality. At the same time, thinking of Beatrice as an 'imaginary Lady' enables us to move beyond the debate about her actual existence. Rather, it allows us to focus on her reality as a miracle made into flesh, which language seeks incessantly to grasp. Thus, the intergenerational dialogue between Dante and Rossetti-and between thirteenth and nineteenth centuries, literature and painting, Italy and England-takes place between different media, oscillating between representation and denial, mimesis and difference, concealment and performance. From medieval Florence to Victorian London, Beatrice's 'imaginary portrait' touches upon the intertwinement of desire, poetry, and art-making in Western culture.
Contents:
Painting Angels
Early Italian Poets, Early Italian Painters
Visions.
Notes:
Description based on print version record and CIP data provided by publisher.
ISBN:
9780268103996
0268103992
9780268104009
026810400X

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