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Composing Japanese Musical Modernity / Bonnie C. Wade.

De Gruyter University of Chicago Press eBook-Package Backlist 2000-2013 Available online

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Format:
Book
Author/Creator:
Wade, Bonnie C., Author.
Series:
Chicago Studies in Ethnomusicology
Language:
English
Subjects (All):
Composers--Japan.
Music--Japan--19th century--History and criticism.
Music--Japan--20th century--History and criticism.
Music--Japan--Western influences.
Composers--Western influences--20th century--Japan.
Composers.
Music--Japan--History and criticism.
Music.
Music--Japan.
Local Subjects:
Composers--Japan.
Music--Japan--19th century--History and criticism.
Music--Japan--20th century--History and criticism.
Music--Japan--Western influences.
Physical Description:
1 online resource (282 p.)
Place of Publication:
Chicago : University of Chicago Press, [2014]
Language Note:
English
Summary:
When we think of composers, we usually envision an isolated artist separate from the orchestra-someone alone in a study, surround by staff paper-and in Europe and America this image generally has been accurate. For most of Japan's musical history, however, no such role existed-composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them-or that they forged-during Japan's astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
Contents:
Frontmatter
Table of Contents
Acknowledgments
Introduction
Part One: Composers in the Infrastructures of Japanese Modernity
Part Two: Japanese Composers in Shared Cultural Spaces of Western Music
Part Three: The Presence in Japan of European Spheres of Musical Participation
Conclusion
Chronology
Notes
Glossary
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)
ISBN:
9780226085494
022608549X
OCLC:
864899637

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