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Family secrets and the psychoanalysis of narrative / Esther Rashkin.

De Gruyter Princeton University Press eBook Package Archive 1927-1999 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Rashkin, Esther, 1951- author.
Series:
Princeton legacy library
Language:
English
Subjects (All):
Short stories, American--History and criticism--Theory, etc.
Short stories, American.
Short stories, English--History and criticism--Theory, etc.
Short stories, English.
Short stories, French--History and criticism--Theory, etc.
Short stories, French.
Psychoanalysis and literature--English-speaking countries.
Psychoanalysis and literature.
Psychoanalysis and literature--France.
Secrecy in literature.
Families in literature.
Narration (Rhetoric).
Physical Description:
1 online resource (221 pages).
Edition:
Course Book
Place of Publication:
Princeton, New Jersey : Princeton University Press, [1992]
Language Note:
English
Summary:
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Contents:
Frontmatter
Contents
Acknowledgments
Note on Documentation
Introduction. Character Analysis, Unspeakable Secrets, and the Formation of Narrative
CHAPTER 1. For a New Psychoanalytic Literary Criticism THE WORKS OF ABRAHAM AND TOROK
CHAPTER 2. The Ghost of a Secret PSYCHOANALYTIC ALLEGORY IN JOSEPH CONRAD'S THE SECRET SHARER
CHAPTER 3. The Interred Sign LTNTERSIGNE BY AUGUSTE DE VILLffiRS DE L'ISLE-ADAM
CHAPTER 4. Legacies of Gold HONORE DE BALZAC'S FACINO CANE
CHAPTER 5. In the Mind's I THE JOLLY CORNER OF HENRY JAMES
CHAPTER 6. A Meeting of the Minds EDGAR ALLAN POE'S THE FALL OF THE HOUSE OF USHER
Conclusion
Notes
Index
Notes:
Bibliographic Level Mode of Issuance: Monograph
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
Description based on print version record.
Includes bibliographical references and index.
ISBN:
0-691-63374-6
0-691-60470-3
1-4008-6303-1
OCLC:
855710336

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