Instruments and the imagination / Thomas L. Hankins and Robert J. Silverman.

Format:

Book

Author/Creator:

Hankins, Thomas L., author.

Silverman, Robert J., author.

Series:

Princeton Legacy Library ; 311

Language:

English

Subjects (All):

Scientific apparatus and instruments--Europe--History.

Scientific apparatus and instruments.

Science--Europe--History.

Science.

Science--Historiography.

Science--Methodology.

Creative ability in science.

Physical Description:

1 online resource (352 pages) : illustrations

Edition:

Course Book

Place of Publication:

Princeton, New Jersey : Princeton University Press, [1995]

Language Note:

English

Summary:

Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to science--magnetic clocks that were said to operate by the movements of sunflower seeds, magic lanterns, ocular harpsichords (machines that played different colored lights in harmonious mixtures), Aeolian harps (a form of wind chime), and other instruments of "natural magic" designed to produce wondrous effects. By looking at these and the first recording instruments, the stereoscope, and speaking machines, the authors show that "scientific instruments" first made their appearance as devices used to evoke wonder in the beholder, as in works of magic and the theater.The authors also demonstrate that these instruments, even though they were often "tricks," were seen by their inventors as more than trickery. In the view of Athanasius Kircher, for instance, the sunflower clock was not merely a hoax, but an effort to demonstrate, however fraudulently, his truly held belief that the ability of a flower to follow the sun was due to the same cosmic magnetic influence as that which moved the planets and caused the rotation of the earth. The marvels revealed in this work raise and answer questions about the connections between natural science and natural magic, the meaning of demonstration, the role of language and the senses in science, and the connections among art, music, literature, and natural science.Originally published in 1995.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Contents:

Frontmatter

CHAPTER ONE. Instruments and Images: Subjects for the Historiography of Science

CHAPTER TWO. Athanasius Kircher's Sunflower Clock

CHAPTER THREE. The Magic Lantern and the Art of Demonstration

CHAPTER FOUR. The Ocular Harpsichord of Louis-Bertrand Castel; or, The Instrument That Wasn't

CHAPTER FIVE. The Aeolian Harp and the Romantic Quest of Nature

CHAPTER SIX. Science since Babel: Graphs, Automatic Recording Devices, and the Universal Language of Instruments

CHAPTER SEVEN. The Giant Eyes of Science: The Stereoscope and Photographic Depiction in the Nineteenth Century

CHAPTER EIGHT. Vox Mechanica: The History of Speaking Machines

CHAPTER NINE. Conclusion

NOTES

BIBLIOGRAPHY

INDEX

Notes:

Bibliographic Level Mode of Issuance: Monograph

Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)

Description based on print version record.

Includes bibliographical references (pages [287]-323) and index.

ISBN:

9780691606453

0691606455

9780691635200

069163520X

9780691005492

0691005494

9781400864119

1400864119

OCLC:

889252900