My Account Log in

1 option

Australian metal music : identities, scenes, and cultures / edited by Catherine Hoad.

EBSCOhost Academic eBook Collection (North America) Available online

View online
Format:
Book
Contributor:
Hoad, Catherine, editor.
Series:
Emerald studies in metal music and culture.
Emerald studies in metal music and culture
Language:
English
Subjects (All):
Rock music--Australia.
Rock music.
Heavy metal (Music)--Australia.
Heavy metal (Music).
Physical Description:
1 online resource (172 pages).
Place of Publication:
Bingley, England : Emerald Publishing, [2019]
Summary:
Defining 'Australian metal' is a challenge for scene members and researchers alike. Australian metal has long been situated in a complex relationship between local and global trends, where the geographic distance between Australia and metal music's seemingly traditional centres in the United States and United Kingdom have meant that metal in Australia has been isolated from international scenes. While numerous metal scenes exist throughout the country, 'Australian metal' itself, as a style, as a sound, and as a signifier, is a term which cannot be easily defined. This book considers the multiple ways in which 'Australianness' has been experienced, imagined, and contested throughout historical periods, within particular subgenres, and across localised metal scenes. In doing so, the collection not only explores what can be meant by Australian metal, but what can be meant by 'Australian' more generally. With chapters from researchers and practitioners across Australia, each chapter maps the distinct ways in which 'Australianness' has been grappled with in the identities, scenes, and cultures of heavy metal in the country. Authors address the question of whether there is anything particularly 'Australian' about Australian metal music, finding that often the 'Australianness' of Australian metal is articulated through wider, mythologised archetypes of national identity. However, this collection also reveals how Australianness can manifest in metal in ways that can challenge stereotypical imaginings of national identity, and assert new modes of being metal 'downungerground'.
Contents:
Prelims
Critical Introduction: what is 'Australian' about Australian heavy metal?
Part I: Australian metal identities: masculine genealogies and trajectories
Chapter 1: Heavy metal kids: a historiographical exploration of australian proto-heavy metal in the 1960s1970s
Chapter 2: 'A blaze in the northern suburbs': Australian extreme metal's larrikinish lineage
Chapter 3: 'We're just normal dudes': hegemonic masculinity, Australian identity, and parkway drive
Part II: Australian metal scenes in the East and West
Chapter 4: ' I think sydney's pretty shit': Melbourne grindcore fans and their others
Chapter 5: Frontierswomen and the Perth scene: female metal musicians on the 'Western front' and the construction of the gothic sublime
Part III: Cultures of resistance in Australian metal
Chapter 6: Creeping Sharia: an extreme response to Islamophobia
Chapter 7: 'This is the funeral of the earth': the 'dead-end' environmental discourses of Australian ecometal
Afterword being metal, being Australian? Reflections and an afterword
Appendix Seminal Australian metal albums: a list by the contributors
Index.
Notes:
Includes index.
Print version record.
ISBN:
9781787691698
1787691691
9781787691674
1787691675

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account