My Account Log in

2 options

Mainframe experimentalism : early computing and the foundations of the digital arts / edited by Hannah B Higgins and Douglas Kahn.

De Gruyter University of California Press Backlist eBook-Package 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online
Format:
Book
Contributor:
Kahn, Douglas, 1951- editor.
Higgins, Hannah, 1964- editor.
Language:
English
Subjects (All):
Arts, Modern--20th century.
Arts, Modern.
Computer art.
Art and computers.
Physical Description:
1 online resource (376 p.)
Edition:
Reprint 2019
Place of Publication:
Oakland, California : University of California Press, [2012]
Language Note:
In English.
Summary:
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today.
Contents:
Frontmatter
CONTENTS
ILLUSTRATIONS
ACKNOWLEDGMENTS
INTRODUCTION
1. The Soulless Usurper: Reception and Criticism of Early Computer Art
2. Georges Perec's Thinking Machines
3. In Forming Software: Software, Structuralism, Dematerialization
4. Information Aesthetics and the Stuttgart School
5. "They Have All Dreamt of the Machines—and Now the Machines Have Arrived": New Tendencies—Computers and Visual Research, Zagreb, 1968-1969
6. Minicomputer Experimentalism in the United Kingdom from the 1950s to 1980
7. James Tenney at Bell Labs
8. HPSCHD-Ghost or Monster?
9. The Alien Voice: Alvin Lucier's North American Time Capsule 1967
10. An Introduction to North American Time Capsule 1967
11. North American Time Capsule 1967
12. An Introduction to Alison Knowles's The House of Dust
13. The Book of the Future: Alison Knowles's The House of Dust
14. Three Early Texts by Gustav Metzger on Computer Art
15. Computer Participator: Situating Nam June Paik's Work in Computing
16. First-Generation Poetry Generators: Establishing Foundations in Form
17. "Tape Mark I"
18. Letter to Ann Noel
19. The Computational Word Works of Eric Andersen and Dick Higgins
20. Opus 1966
21. "Computers for the Arts" (May 1968)
22. The Role of the Machine in the Experiment of Egoless Poetry: Jackson Mac Low and the Programmable Film Reader
23. Stan VanDerBeek's Poemfields: The Interstice of Cinema and Computing
24. From the Gun Controller to the Mandala: The Cybernetic Cinema of John and James Whitney
INDEX
Notes:
Includes index.
Description based on print version record.
ISBN:
9780520953734
0520953738
OCLC:
1163878145

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account