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Unwrapping Tongan barkcloth : encounters, creativity and female agency / Fanny Wonu Veys.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Veys, Fanny Wonu, author.
Language:
English
Subjects (All):
Tapa--Tonga.
Tapa.
Tapa--Social aspects--Tonga.
Women--Tonga--Social conditions.
Women.
Material culture--Tonga.
Material culture.
Physical Description:
1 online resource (273 pages) : illustrations, tables, maps
Distribution:
London, England : Bloomsbury Publishing, 2020
Place of Publication:
London, England : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2020.
Summary:
Tongan barkcloth, made from the inner bark of the paper mulberry tree, still features lavishly in Polynesian ceremonies all over the world. Yet despite the attention paid to this textile in exhibitions, by anthropologists and by art historians, very little is known about its history. This book provides a unique insight into Polynesian material culture by exploring the rich cultural history of barkcloth. Arguing that the manufacture, decoration and use of barkcloth are vehicles of creativity and female agency, it places the materiality of textiles at the heart of Tongan culture. Based on extensive ethnographic and archival research over twelve years, Veys uncovers stories of ceremony, gender, the senses, collecting, religion and nationhood, from the 'birth' of barkcloth in the 18th century right up to contemporary Polynesian culture today, revealing not only how Tongans made (and still make) barkcloth, but also how it defines what it means to be Tongan. Extending the study outside of Tonga to explore the place of barkcloth in the European imagination, Veys addresses the museum collections of Tongan barkcloth held worldwide, from the UK to Italy, Switzerland to the USA, addressing the bias of the European 'gaze' and challenging traditional gendered understandings of the cloth.
Contents:
pt. 1. Encounters: Awakening European minds
European impressions
The quest for barkcloth names
The ancestry of barkcloth
2. Creating barkcloth
Story of a tree
Substance of color
Rubbing boards
Sticky stuff
Supersizing it
Working together
3. Collecting barkcloth
Enticing cloth
Barkcloth appropriations
the Alexander Shaw books
"Spanish Lake"
Lost collections?
Decreasing interest
Beachcombers, merchants, and whalers
Missionaries
Collecting souvenirs.
pt. 2. Creativity: Creativity in shapes and forms
Tongan-style barkcloth
Barkcloth design through time
Barkcloth circulation
Imagining and forging the tongan land
Between the cross and the cloth
Before missionary arrival
Missionary failure and uncertainties, 1797-1827
Triumphant Christianity, 1828-1860
"Civilizing mission," gender, industriousness and economic policies
Creating beautiful and moral bodies
Missionary attitudes and an east-west divide
Wesleyan and Marist competition
Barkcloth-a way of being in the world.
pt. 3. Female agency
Capturing the "Female essence"?
Enveloped by ngatu
Defining koloa
Value of koloa
Are koloa gendered?
A feast for the senses
A modern dynast of royals
Royal ceremonies-a wedding, two funerals, and a coronation
Characteristics of barkcloth
Conflated sensations
Conclusion- encounters, creativity, and female agency
Encounters-surprising and vital occurrences
Creativity-ingenious imagination
Female agency-prestigious mediation.
Notes:
Includes bibliographical references.
ISBN:
9781474283335
1474283330
9781474283311
1474283314
9781474283304
1474283306
OCLC:
1201426667

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