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Hearing Sexism Gender in the Sound of Popular Music. A Feminist Approach LJ Müller, Manu Reyes, Manu Reyes

De Gruyter DG Plus PP Package 2022 Part 2 Available online

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Format:
Book
Author/Creator:
Müller, LJ <p>LJ Müller, Humboldt-Universität zu Berlin, Deutschland</p>, Author.
Contributor:
Reyes, Manu <p>Manu Reyes, Rijksuniversiteit Groningen, Niederlande</p>
Reyes, Manu <p>Manu Reyes, Rijksuniversiteit Groningen, Niederlande</p>, Translator.
Mariann Steegmann Foundation, Funder.
Series:
Studien zur Popularmusik
Standardized Title:
Sound und Sexismus. Geschlecht im Klang populärer Musik. Eine feministisch-musiktheoretische Annäherung
Language:
English
Subjects (All):
Sound.
Gender.
Music.
Gender Studies.
Pop Music.
Musicology.
Local Subjects:
Sound.
Gender.
Music.
Gender Studies.
Pop Music.
Musicology.
Physical Description:
1 online resource (208 p.)
Edition:
1st ed.
Other Title:
Müller, Hearing Sexism Gender in the Sound of Popular Music. A Feminist Approach
Place of Publication:
Bielefeld transcript Verlag 2022
Language Note:
In English.
Biography/History:
LJ Müller (they/them) studied musicology and cultural studies at Humboldt Universität zu Berlin and works on their Phd. Their first book »Sound und Sexismus« published in 2018 by Marta Press was awarded the 2019 book prize of the International Association for the Study of Popular Music (IASPM). Müller works on topics of voices, gender, sound, popular music and affect.
Summary:
If pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? LJ Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds – singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture.
Besprochen in:OX Fanzine, 6 (2022), Joachim Hiller
Contents:
Frontmatter 1 Contents 5 Preface 7 Introduction: What Does Sexism Actually Sound Like? 13 Chapter 1: Tools of Analysis 45 Chapter 2: 'Authenticity' as an Implicitly Masculine Norm 95 Chapter 3: Alternative Aesthetic Strategies of Female Singers 127 Conclusion: Hearing Sexism? 173 References 187
Notes:
Includes bibliographical references.
ISBN:
9783839458518
383945851X
OCLC:
1342793619

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