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Expressionism in the cinema / edited by Olaf Brill and Gary D. Rhodes.

De Gruyter Edinburgh University Press Complete eBook-Package 2016 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Brill, Olaf, Author.
Contributor:
Brill, Olaf, 1967- editor.
Rhodes, Gary Don, 1972- editor.
Series:
Traditions in world cinema.
Traditions in world cinema
Language:
English
Subjects (All):
Expressionism in motion pictures.
Physical Description:
1 online resource (xvi, 312 pages) : digital, PDF file(s).
Place of Publication:
Edinburgh : Edinburgh University Press, 2016.
System Details:
Mode of access: World Wide Web.
Summary:
An innovative and wide-ranging collection, Expressionism in Cinema re-canonizes the classical Expressionist aesthetic, extending the critical and historical discussion beyond pre-existing scholarship into comparative and interdisciplinary areas of film research that reach across national boundaries.
Contents:
Frontmatter
CONTENTS
List of Illustrations
List of Contributors
Traditions in World Cinema
Introduction
PART I. EXPRESSIONISM IN GERMAN CINEMA
1. Expressionist Cinema—Style and Design in Film History
2. Of Nerves and Men: Postwar Delusion and Robert Reinert’s Nerven
3. Franjo Ledic: A Forgotten Pioneer of German Expressionism
4. Expressionist Film and Gender: Genuine, A Tale of a Vampire (1920)
5. “The Secrets of Nature and Its Unifying Principles”: Nosferatu (1922) and Jakob von Uexküll on Umwelt
6. Raskolnikow (1923): Russian Literature as Impetus for German Expressionism
PART II. EXPRESSIONISM IN GLOBAL CINEMA
7. The Austrian Connection: The Frame Story and Insanity in Paul Czinner’s Inferno (1919) and Fritz Freisler’s The Mandarin (1918)
8. “The Reawakening of French Cinema”: Expression and Innovation in Abel Gance’s J’accuse (1919)
9. Here Among the Dead: The Phantom Carriage (1921) and the Cinema of the Occulted Taboo
10. Drakula halála (1921): The Cinema’s First Dracula
11. Le Brasier ardent (1923): Ivan Mosjoukine’s clin d’oeil to German Expressionism
12. Nietzsche’s Fingerprints on The Hands of Orlac (1924)
13. “True, Nervous”: American Expressionist Cinema and the Destabilized Male
14. Dos monjes (1934) and the Tortured Search for Truth
15. Maya Deren in Person in Expressionism
Index of Names
Index of Film Titles
Notes:
Title from publisher's bibliographic system (viewed on 09 Sep 2016).
Includes bibliographical references and index.
ISBN:
9781474403269
1474403263
OCLC:
1301548408

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