My Account Log in

3 options

In Stravinsky's orbit : responses to Modernism in Russian Paris / Klára Móricz.

De Gruyter University of California Press Complete eBook-Package 2020 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

Ebook Central Academic Complete Available online

View online
Format:
Book
Author/Creator:
Móricz, Klára, 1962- author.
Series:
California Studies in 20th-Century Music ; 26
Language:
English
Subjects (All):
Stravinsky, Igor, 1882-1971.
Stravinsky, Igor.
Duke, Vernon, 1903-1969.
Duke, Vernon.
Prokofiev, Sergey, 1891-1953.
Prokofiev, Sergey.
Nabokov, Nicolas, 1903-1978.
Nabokov, Nicolas.
Lourié, Arthur, 1892-1966.
Lourié, Arthur.
Music--France--Paris--20th century--History and criticism.
Music.
Physical Description:
1 online resource (xiv, 290 pages) : illustrations
Place of Publication:
Oakland, California : University of California Press, [2020]
Summary:
The Bolsheviks’ 1917 political coup caused a seismic disruption in Russian culture. Carried by the first wave of emigrants, Russian culture migrated West, transforming itself as it interacted with the new cultural environment and clashed with exported Soviet trends. In this book, Klára Móricz explores the transnational emigrant space of Russian composers Igor Stravinsky, Vladimir Dukelsky, Sergey Prokofiev, Nicolas Nabokov, and Arthur Lourié in interwar Paris. Their music reflected the conflict between a modernist narrative demanding innovation and a narrative of exile wedded to the preservation of prerevolutionary Russian culture. The emigrants’ and the Bolsheviks’ contrasting visions of Russia and its past collided frequently in the French capital, where the Soviets displayed their political and artistic products. Russian composers in Paris also had to reckon with Stravinsky’s disproportionate influence: if they succumbed to fashions dictated by their famous compatriot, they risked becoming epigones; if they kept to their old ways, they quickly became irrelevant. Although Stravinsky’s neoclassicism provided a seemingly neutral middle ground between innovation and nostalgia, it was also marked by the exilic experience. Móricz offers this unexplored context for Stravinsky’s neoclassicism, shedding new light on this infinitely elusive term.
Contents:
Frontmatter
Contents
List of Illustrations
Acknowledgments
List of Abbreviations
Note on Transliteration
Introduction
1. Double Narratives or Dukelsky’s The End of St. Petersburg
2. Soviet “méchanique” or the Bolshevik Temptation
3. Neoclassicism à la russe 1 or Reclaiming the Eighteenth Century in Nabokov’s Ode
4. Neoclassicism à la russe 2 or Stravinsky’s Version of Similia similibus curentur
5. 1937 or Pushkin Divided
6. A Feast in Time of Plague
7. Epilogue or Firebird to Phoenix
Notes
Selected Bibliography
Index
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9780520975521
0520975529
OCLC:
1124788104

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account