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A mirror for England : British movies from austerity to affluence / Raymond Durgnat ; with a foreword by Kevin Gough-Yates.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Durgnat, Raymond, author.
Contributor:
British Film Institute, contributor.
Series:
BFI silver.
BFI silver
Language:
English
Subjects (All):
Motion pictures--Great Britain--History.
Motion pictures.
Physical Description:
1 online resource (xxi, 394 pages) : illustrations.
Edition:
2nd Edition.
Place of Publication:
New York : Palgrave Macmillan, 2011.
Summary:
"Raymond Durgnat's classic study of British films from the 1940s to the 1960s, first published in 1970, remains one of the most important books ever written on British cinema. In his introduction, Kevin Gough-Yates writes: 'Even now, it astounds by its courage and its audacity; if you think you have an 'original' approach to a filmor a director's work and check it against A Mirror for England, you generally discover that Raymond Durgnat had said it already.' Durgnat himself said about the book that 'the main point was arranging a kind of rendezvous between thinking about movies and thinking, not so much about sociology, as about the experiences that people are having all the time.' Durgnat used Mirror to assert the validity of British cinema against its dismissal by the critics of Cahiers du cinéma and Sight and Sound. His analysis takes in classics such as In Which We Serve (1942), A Matter of Life and Death (1946) and The Blue Lamp (1949), alongside 'B' films and popular genres such as Hammer horror. Durgnat makes a cogent and compelling case for the success of British films in reflecting British predicaments, moods and myths, at the same time as providing some disturbing new insights into a national character by whose enigmas and contradictions we continue to be perplexed and fascinated."-- Provided by publisher.
Contents:
Machine generated contents note:
Contents
Introduction
Where we come in
When is a British Film a British Film?
Meaning Cut Meaning
Critic: Judge or Accomplice?
CHAPTER I: THE STATE OF THE NATION
The British Constitution
Good Irresolutions
Trouble at t'Mill
CHAPTER II: CROSS SECTIONS
The Nine Lives of Colonel Blimp
Pigs in the Middle
Journey to the edges of the Working-Class
Odds and Bods
CHAPTER III: POINTS OF VIEW
Left, Right and Centre
And so, as the Sun Sets slowly, We Bid Adieu
Tunes of Bogey
Gangrene
British Style
Standing up for Jesus
Bloody Foreigners
CHAPTER IV: OUR GLORIOUS HERITAGE
History is Bunk
The Impotence of Being Earnest
The Doctored Documentary
CHAPTER V: THE AGE OF ACQUIESCENCE
System as Stalemate
Dance to your Daddy
Stresses and Strains
My Famous Last word is my Bond
God Bless Captain Vere
Hard Conscience and Nonconformity
The Glum and the Guilty
Laugh and Lie down
Love in a Damp Climate
The Lukewarm Life
CHAPTER VI: ROMANTICS AND MORALISTS
Between Two Worlds
A Gothic Revival
Terence Coloured
Shammerteurism
Flesh and Fantasy
The English Moralists
Have Scalpels
Will Travel
Suspended Animation
Lists
References
Bibliography
Filmographical Index
Film Artists Index
Foreign Film Artists and Film Index
Other Names Index.
Notes:
Compliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
Includes bibliographical references and index.
ISBN:
9781349883462
1349883468
9781838711290
1838711295
9781838714239
1838714235
OCLC:
1120196735

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