Early modern Beckett ; Beckett between / edited by Angela Moorjani ... [et al.] = Beckett et le debut de l'ere moderne ; Beckett entre deux / edite par Angela Moorjani.

Format:

Book

Contributor:

Moorjani, Angela B.

Series:

Samuel Beckett today/aujourd'hui ; 24.

Samuel Beckett today / aujourd'hui ; 24

Language:

English

Subjects (All):

Beckett, Samuel, 1906-1989--Criticism and interpretation.

Beckett, Samuel.

English literature--20th century--History and criticism.

English literature.

Physical Description:

1 online resource (372 p.)

Other Title:

Beckett et le debut de l'e`re moderne

Place of Publication:

Amsterdam : Rodopi, 2012.

Language Note:

English

Summary:

Partial contents: I. In Dialogue with Dramatists and Writers/En dialogue avec des auteurs dramatiques et des ecrivains. Carla Taban: Le Moliere de Beckett. - Angela Moorjani: Beckett's Racinian Fictions: Racine and the Modern Novel Revisited. - Daniele de Ruyter: Fascination de la tragedie Racinienne: resonances dans Oh les beaux jours. - Arka Chattopadhyay: Worst In Need Of Worse: King Lear, Worstward Ho and the Trajectory of Worsening. - Julie Campbell: Allegories of Clarity and Obscurity: Bunyan's The Pilgrim's Progress and Beckett's Molloy."

Contents:

Cover; Title Page; Copyright Page; Table of Contents; EARLY MODERN BECKETT / BECKETT ET LE DÉBUT DE L'ÈRE MODERNE; INTRODUCTION / AVANT-PROPOS; I. IN DIALOGUE WITH DRAMATISTS AND WRITERS / EN DIALOGUE AVEC DES AUTEURS DRAMATIQUES ET DES ÉCRIVAINS; LE MOLIÈRE DE BECKETT; BECKETT'S RACINIAN FICTIONS: "Racine and the Modern Novel" Revisited; FASCINATION DE LA TRAGÉDIE RACINIENNE: résonances dans Oh les beaux jours; "WORST IN NEED OF WORSE": King Lear, Worstward Ho and the Trajectory of Worsening; ALLEGORIES OF CLARITY AND OBSCURITY: Bunyan's The Pilgrim's Progress and Beckett's Molloy

EDMUND SPENSER, FAMINE MEMORY AND THE DISCONTENTS OF HUMANISM IN ENDGAMEA RHETORIC OF DISCONTINUITY: On Stylistic Parallels between Pascal's Pensées and Samuel Beckett's L'Innommable; II. IN DIALOGUE WITH PHILOSOPHERS AND ARTISTS / EN DIALOGUE AVEC DES PHILOSOPHES ET DES ARTISTES; CARTESIAN MECHANICS IN BECKETT'S FIN DE PARTIE; EN COMPAGNIE D'UNE MÉTAPHYSIQUE PARODIQUE: Beckett lecteur de Descartes redux; BECKETT AND GEULINCX'S ETHICS: "...my Geulincx could only be a literary fantasia"; BECKETT'S FAINT CRIES: Leibniz's petites perceptions in First Love and Malone Dies

PRÉSENCE DE LA SCULPTURE FUNÉRAIRE DES DÉBUTS DE L'ÉPOQUE MODERNE DANS L'ŒUVRE NARRATIVE DE SAMUEL BECKETT: du motif artistique religieux à sa laïcisation scripturaleLIGHT AND DARKNESS IN ELSHEIMER, CARAVAGGIO, REMBRANDT AND BECKETT; BECKETT BETWEEN / BECKETT ENTRE DEUX; INTRODUCTION; LIGHT, LANDSCAPE AND BECKETT; BECKETT BETWEEN THE WORDS: Punctuation and the Body in the English Prose; THE NON-LIEU OF HUNGER: Post-war Beckett and the Genealogies of Starvation; THE EXTENDED MIND AND MULTIPLE DRAFTS: Beckett's Models of the Mind and the Postcognitivist Paradigm

BECKETT AND GEULINCX'S METAPHYSICS: "Without knowing why exactly""L'AU-DELÀ DU DEHORS-DEDANS": Paradox, Space and Movement in Beckett; "ILL-TOLD ILL-HEARD": Aurality and Reading in Comment c'est/How It Is; TENSIONS OF THE IN-BETWEEN: Rhythm, Tonelessness and Lyricism in Fin de partie/Endgame; BECKETT, BILINGUALISM AND THE BIBLE; THE PROXEMICS OF "NEITHER"; CONTRIBUTORS / AUTEURS

Notes:

Description based upon print version of record.

ISBN:

1-283-86864-4

94-012-0844-1

OCLC:

822025127