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The Secular Commedia : Comic Mimesis in Late Eighteenth-Century Music / Wye Jamison Allanbrook; Mary Ann Smart, Richard Taruskin.

De Gruyter University of California Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebook Central University Press Available online

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Ebscohost Ebooks University Press Collection (North America) Available online

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Format:
Book
Author/Creator:
Allanbrook, Wye Jamison, Author.
Contributor:
Smart, Mary Ann, Editor.
Taruskin, Richard, Editor.
Series:
Ernest Bloch lectures.
Ernest Bloch Lectures ; 15
Language:
English
Subjects (All):
Music--18th century--History and criticism.
Music.
Music--18th century--Philosophy and aesthetics.
Opera--18th century.
Opera.
Comic, The, in music.
Mimesis in music.
Physical Description:
1 online resource (253 p.)
Edition:
1st ed.
Place of Publication:
Berkeley, CA : University of California Press, [2014]
Language Note:
English
Summary:
Wye Jamison Allanbrook's The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
Contents:
Frontmatter
Contents
List of Music Examples
Foreword
1. Comic Flux and Comic Precision
2. Comic Voice in the Late Mimetic Period
3. The Comic Surface
4. Comic Finitude and Comic Closure
Notes
Bibliography
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)
ISBN:
9780520958876
052095887X
OCLC:
881417055

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