Modernist fiction and vagueness : philosophy, form, and language / Megan Quigley, Villanova University.

Format:

Book

Author/Creator:

Quigley, Megan, author.

Language:

English

Subjects (All):

Modernism (Literature).

Fiction--20th century--History and criticism.

Fiction.

Vagueness (Philosophy).

Language and languages in literature.

Physical Description:

1 online resource (xiv, 228 pages) : digital, PDF file(s).

Other Title:

Modernist Fiction & Vagueness

Place of Publication:

Cambridge : Cambridge University Press, 2015.

Language Note:

English

Summary:

Modernist Fiction and Vagueness marries the artistic and philosophical versions of vagueness, linking the development of literary modernism to changes in philosophy. This book argues that the problem of vagueness - language's unavoidable imprecision - led to transformations in both fiction and philosophy in the early twentieth century. Both twentieth-century philosophers and their literary counterparts (including James, Eliot, Woolf, and Joyce) were fascinated by the vagueness of words and the dream of creating a perfectly precise language. Building on recent interest in the connections between analytic philosophy, pragmatism, and modern literature, Modernist Fiction and Vagueness demonstrates that vagueness should be read not as an artistic problem but as a defining quality of modernist fiction.

Contents:

Machine generated contents note: 1. The art of vagueness; 2. The two pragmatisms and Henry James's criticism; 3. 'Guess my riddle': Watch and Ward; 4. The vengeance of the 'great vagueness': 'The Beast in the Jungle'; 5. The bad pragmatist: The Sacred Fount's narrator; 6. 'Vague values': Strether's dilemma in The Ambassadors; 7. Mush and the telescope; 8. Vagueness and vagabonds in 'Craftsmanship'; 9. Night and Day and the 'semi-transparent envelope'; 10. Jacob's shadow; 11. 'I begin to doubt the fixity of tables': solipsism and The Waves; 12. 'The study of languages': logical versus natural languages; 13. Wittgenstein the poet and Joyce the 'philosophist'; 14. Learning vague language: A Portrait of the Artist as a Young Man; 15. Throwing away the ladder, losing the keys: Siopold and Boom in Ulysses; 16. Blasphemy and nonsense: Finnegans Wake in Basic; 17. Eliot's critical influence; 18. Eliot and Russell: 'wobbliness' and 'the scientific paradise'; 19. 'Fuzzy studies' and fuzzy fictions.

Notes:

Title from publisher's bibliographic system (viewed on 05 Oct 2015).

ISBN:

1-316-19192-3

1-316-21227-0

1-316-19009-9

1-316-21044-8

1-316-20672-6

1-107-46115-4

1-316-20858-3

1-316-10559-8

1-316-20492-8

1-316-20308-5