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Play Time : Jacques Tati and Comedic Modernism / Malcolm Turvey.

De Gruyter Columbia University Press Complete eBook-Package 2019 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Ebscohost Ebooks University Press Collection (North America) Available online

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Format:
Book
Author/Creator:
Turvey, Malcolm, 1969- Author.
Series:
Film and culture.
Film and Culture Series
Language:
English
Subjects (All):
Tati, Jacques--Criticism and interpretation.
Tati, Jacques.
Comedy films--France--20th century--History and criticism.
Comedy films.
Physical Description:
1 online resource (311 pages) : illustrations.
Place of Publication:
New York, NY : Columbia University Press, [2019]
Language Note:
In English.
System Details:
Mode of access: World Wide Web.
Summary:
Jacques Tati is widely regarded as one of the greatest postwar European filmmakers. He made innovative and challenging comedies while achieving international box office success and attaining a devoted following. In Play Time, Malcolm Turvey examines Tati's unique comedic style and evaluates its significance for the history of film and modernism.Turvey argues that Tati captured elite and general audiences alike by combining a modernist aesthetic with slapstick routines, gag structures, and other established traditions of mainstream film comedy. Considering films such as Monsieur Hulot's Holiday (1953), Mon Oncle (1958), Play Time (1967), and Trafic (1971), Turvey shows how Tati drew on the rich legacy of comic silent film while modernizing its conventions in order to encourage his viewers to adopt a playful attitude toward the modern world. Turvey also analyzes Tati's sardonic view of the bourgeoisie and his complex and multifaceted satire of modern life. Tati's singular and enduring achievement, Turvey concludes, was to translate the democratic ideals of the postwar avant-garde into mainstream film comedy, crafting a genuinely popular modernism. Richly illustrated with images from the director's films, Play Time offers an illuminating and original understanding of Tati's work.
Contents:
Frontmatter
CONTENTS
Preface and Acknowledgments
Introduction
1. Comedic Modernism
2. Comedy of Everyday Life
3. The Beholder's Share
4. Satirizing Modernity
Afterword: Parade, Tati, and Participatory Culture
Notes
Bibliography
Index
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Apr 2020)
ISBN:
0-231-55011-1
OCLC:
1134478343

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