1971 : A Year in the Life of Color / Darby English.

Format:

Book

Author/Creator:

English, Darby, Author.

Language:

English

Subjects (All):

Contemporary Black Artists in America (Exhibition) (1971 : New York, N.Y.).

Contemporary Black Artists in America (Exhibition).

De Luxe Show (Exhibition) (1971 : Houston, Tex.).

De Luxe Show (Exhibition).

Art, American--20th century.

Art, American.

Art, American--20th century--African influences--Exhibitions.

Art, Abstract--United States--Exhibitions--History.

Art, Abstract.

Physical Description:

1 online resource (300 pages) : illustrations (some color), photographs

Place of Publication:

Chicago : University of Chicago Press, [2016]

Language Note:

In English.

Summary:

In this book, art historian Darby English explores the year 1971, when two exhibitions opened that brought modernist painting and sculpture into the burning heart of United States cultural politics: Contemporary Black Artists in America, at the Whitney Museum of American Art, and The DeLuxe Show, a racially integrated abstract art exhibition presented in a renovated movie theater in a Houston ghetto. 1971: A Year in the Life of Color looks at many black artists' desire to gain freedom from overt racial representation, as well as their efforts-and those of their advocates-to further that aim through public exhibition. Amid calls to define a "black aesthetic," these experiments with modernist art prioritized cultural interaction and instability. Contemporary Black Artists in America highlighted abstraction as a stance against normative approaches, while The DeLuxe Show positioned abstraction in a center of urban blight. The importance of these experiments, English argues, came partly from color's special status as a cultural symbol and partly from investigations of color already under way in late modern art and criticism. With their supporters, black modernists-among them Peter Bradley, Frederick Eversley, Alvin Loving, Raymond Saunders, and Alma Thomas-rose above the demand to represent or be represented, compromising nothing in their appeals for interracial collaboration and, above all, responding with optimism rather than cynicism to the surrounding culture's preoccupation with color.

Contents:

Frontmatter

Contents

Introduction. Social Experiments with Modernism

Chapter 1. How It Looks to Be a Problem

Chapter 2. Making a Show of Discomposure

Chapter 3. Local Color and Its Discontents

AppendAixppendix

Acknowledgments

Index

Notes:

Includes index.

Includes bibliographical references and index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

ISBN:

9780226274737

022627473X

OCLC:

976166569