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Welcome to fear city : crime film, crisis, and the urban imagination / Nathan Holmes.

EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Holmes, Nathan, 1977- author.
Series:
SUNY series, horizons of cinema.
SUNY series, Horizons of cinema
Language:
English
Subjects (All):
Cities and towns in motion pictures.
City and town life in motion pictures.
Crime films--United States--History and criticism.
Crime films.
United States--Social life and customs--20th century.
United States.
United States--In motion pictures.
Physical Description:
1 online resource (246 pages).
Other Title:
Welcome to Fear City
Place of Publication:
Albany, NY : SUNY Press, [2018]
Summary:
2019 CHOICE Outstanding Academic TitleThe early 1970s were a moment of transformation for both the American city and its cinema. As intensified suburbanization, racial division, deindustrialization, and decaying infrastructure cast the future of the city in doubt, detective films, blaxploitation, police procedurals, and heist films confronted spectators with contemporary scenes from urban streets. Welcome to Fear City argues that the location-shot crime films of the 1970s were part of a larger cultural ambivalence felt toward urban life, evident in popular magazines, architectural discourse, urban sociology, and visual culture. Yet they also helped to reinvigorate the city as a site of variegated experience and a positively disordered public life—in stark contrast to the socially homogenous and spatially ordered suburbs. Discussing the design of parking garages and street lighting, the dynamics of mugging, panoramas of ruin, and the optics of undercover police operations in such films as Klute, The French Connection, Detroit 9000, Death Wish, and The Taking of Pelham One Two Three, Nathan Holmes demonstrates that crime genres did not simply mirror urban settings and social realities, but actively produced and circulated new ideas about the shifting surfaces of public culture.
Contents:
Introduction: Crime film and the messy city
Parking garage, apartment, disco, skyscraper: Alan J. Pakula's banal modernity
Everyone here is a cop: urban spectatorship in the super cop cycle
Detroit 9000 and Hollywood's Midwest
Bystander effects: Death wish and the Taking of Pelham one two three
Conclusion: The lure of the city.
Notes:
Includes bibliographical references and index.
Description based on print version record.
ISBN:
9781438471228
143847122X

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