My Account Log in

1 option

Film 1900 : Technology, Perception, Culture / edited by Annemone Ligensa and Klaus Kreimeier.

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Contributor:
Ligensa, Annemone.
Kreimeier, Klaus.
Language:
English
Subjects (All):
Motion pictures--History--20th century.
Motion pictures.
Genre:
Electronic books.
Physical Description:
1 online resource (258 p.)
Edition:
1st ed.
Place of Publication:
Hertfordshire, England : John Libbey Publishing, 2015.
Language Note:
English
System Details:
Mode of access: World Wide Web.
Summary:
Film 1900 is an important reassessment of early cinema's position in cultural history.
Contents:
Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
Mind the gap: the discovery of physiological time / Henning Schmidgen
'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
The attraction of motion: modern representation and the image of movement / Tom Gunning
'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
Notes:
Description based upon print version of record.
Includes bibliographical references.
Description based on print version record.
Description based on publisher supplied metadata and other sources.
ISBN:
0-86196-916-2
OCLC:
966846099

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account