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Film 1900 : Technology, Perception, Culture / edited by Annemone Ligensa and Klaus Kreimeier.
- Format:
- Book
- Language:
- English
- Subjects (All):
- Motion pictures--History--20th century.
- Motion pictures.
- Genre:
- Electronic books.
- Physical Description:
- 1 online resource (258 p.)
- Edition:
- 1st ed.
- Place of Publication:
- Hertfordshire, England : John Libbey Publishing, 2015.
- Language Note:
- English
- System Details:
- Mode of access: World Wide Web.
- Summary:
- Film 1900 is an important reassessment of early cinema's position in cultural history.
- Contents:
- Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
- Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
- Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
- The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
- Mind the gap: the discovery of physiological time / Henning Schmidgen
- 'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
- The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
- Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
- The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
- Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
- 'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
- Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
- 'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
- The attraction of motion: modern representation and the image of movement / Tom Gunning
- 'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
- German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
- Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
- 'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
- Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.
- Notes:
- Description based upon print version of record.
- Includes bibliographical references.
- Description based on print version record.
- Description based on publisher supplied metadata and other sources.
- ISBN:
- 0-86196-916-2
- OCLC:
- 966846099
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