My Account Log in

4 options

Phantom Ladies : Hollywood Horror and the Home Front / Tim Snelson.

De Gruyter Rutgers University Press Complete eBook-Package 2014-2015 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

Ebook Central University Press Available online

View online
Format:
Book
Author/Creator:
Snelson, Tim, Author.
Language:
English
Subjects (All):
Women in motion pictures.
Motion pictures and women.
Sex role in motion pictures.
Horror films--United States--History and criticism.
Horror films.
Genre:
Electronic books.
Physical Description:
1 online resource (224 p.)
Edition:
1st ed.
Place of Publication:
New Brunswick, NJ : Rutgers University Press, [2014]
Language Note:
English
Summary:
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of "women's genres" like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction: Horror On The Home Front
1. Rebecca Meets The Wolfman At Rko: The Emergence Of The Female Monster Cycle, 1942-1943
2. Series, Sequels, And Double Bills: The Evolution Of The Female Monster Cycle, 1943-1944
3. A-Class Monsters: The Escalation Into Prestige Productions, 1944-1945
4. From Whatdunit To Whodunit: The Postwar Psychologization Of Horror, 1945-1946
Conclusion: Only For The Duration
Notes
Index
About The Author
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Dez 2019)
ISBN:
0-8135-7044-1
OCLC:
894227681

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account