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So you want to... join the music industry : here's the info you need / by: Angela Erickson.
- Format:
- Book
- Author/Creator:
- Erickson, Angela, author.
- Language:
- English
- Subjects (All):
- Music trade--Vocational guidance.
- Music trade.
- Physical Description:
- 1 online resource (196 pages) : illustrations
- Edition:
- 1st ed.
- Place of Publication:
- Ocala, Florida : Atlantic Publishing Group, Inc., [2017]
- Summary:
- The $130 billion music industry is booming, and the ones changing the game are becoming younger and younger. Take Jarett Koral, for example, the 16-year-old founder of Jett Plastic Recordings, or Mac Miller, a famous rapper who topped the charts at 19 years old. Any teen that takes interest in music and wants to channel their creativity into a career will find this book helpful. With details on career opportunities in the three main music industry categories -- record companies, concert business, and digital music -- any young adult will be able to find what they're interested in. This book covers everything from being the artist to being the producer. You will learn the basics of advertising as well as marketing. You will become knowledgeable about everything in the industry, including all of the possible career opportunities. We cover what it takes to be an A&R scout, an artist manager, a music editor, a producer, an audio engineer, a board operator, a booking agent, a composer, a copyist, and even an intern. This new book covers everything that many companies pay consultants thousands of dollars for. If you ever had questions about the music industry, this book is your definitive guide to the answers.
- Contents:
- Intro
- Introduction
- Chapter 1
- Music Labels
- So . . . What's a Music Label Anyway?
- What's an Independent Music Label?
- Who Are the "Big Three"?
- Warner Music Group
- Universal Music
- Sony Music Holdings
- Wait . . . Didn't It Used to Be "The Big Four"?
- What Exactly Does a Major Record Label Do?
- Independent Labels
- Dischord Records
- Epitaph Records
- Merge Records
- Naxos
- Orange Mountain
- Rounder Records
- SST Records
- Sub Pop Records
- So, How Are Major Labels Different From Independent Labels?
- How Do Record Companies Make Money?
- What's the "360" deal?
- What's a license deal?
- What's a net profit deal?
- What's a manufacturing and distribution deal?
- What does self-release mean?
- Tales From the Industry: M.C. Hammer
- Chapter 2
- Jobs in the Music Industry
- Artist
- Backup Singer
- Songwriter
- Composers and Orchestrators
- Copyist
- A&R Scout
- Artist Manager
- Producer
- Audio Engineer
- Board Operator/Audio Engineers
- Booking Agent
- Intern
- Music Editor
- Radio Disc Jockey (DJ)
- Nightclub Disc Jockey (DJ)
- Concert Promoter
- Music Journalist
- Chapter 3
- All About Artists
- How Are Artists Found?
- Identify with your genre
- Tales from the industry: Marvin Gaye
- It all starts locally
- Signs of a Good Artist
- Has originality
- Has appeal
- Is a good fit for the label (and vice versa!)
- Has a market for his or her music
- Has the right image
- Has an established fan base
- Able to give consistent live performances
- Willing to travel and make public appearances
- Has experience recording in a studio
- Is an accomplished musician
- Shows professional behavior
- Writes his or her own material
- Has no contracts with any other record label
- Financially stable
- Drugs and alcohol
- Underage artists.
- What Does an Artist Look For in a Record Label?
- Understanding Each Other
- Chapter 4
- Contracts and Agreements
- Get Everything in Writing
- Finding a Lawyer
- When an Artist Signs a Contract
- Artist's Agreement
- Term of the contract
- Pay attention to renewal dates
- Territory
- Services
- Recording Commitment
- Recording Procedure
- Recoupable Costs
- Advances
- Rights Granted to the Recording Company
- Royalties
- Example of a royalty calculation
- Royalties for music videos
- Royalties for internet downloads
- When are royalties paid?
- Royalties for producers and mixers
- Changing the way royalties are calculated
- Changes to laws about royalties
- Tales from the industry: Reprise Records
- Definitions
- Accounting
- Sales in foreign countries
- Procedure for contesting the validity of a statement
- Publishing
- Mechanical Royalties
- Cross-collateralization
- Warranties
- Indemnity
- Suspension or Termination
- Force majeure
- Group Provisions
- Merchandising Rights
- Music Videos
- Websites and Digital Rights
- Additional Provisions
- Chapter 5
- Recording and Producing
- Your Production Budget
- Production Budget for Album
- Pre-Production
- The administrative tasks
- The artist's preparation
- The meeting with producer, engineer and artist
- The communication channels
- Picking Out a Studio
- The Producer's Role
- The producer's contract
- The Recording Engineer's Role
- Mixing
- Mastering
- Case Study: Josh Jones
- Manufacturing
- Duplication and replication
- Artwork and labels
- UPC Bar Code
- How many to make?
- Giveaways
- Chapter 6
- Non-Exclusive Songwriter Agreement
- How Do You Get Paid From These Royalties?
- But First, You Need a Music Publishing Company
- Co-Publishing Agreement
- Exclusive Songwriter Agreement
- Administration Agreement.
- Licensing
- Chapter 7
- Copyrights and Trademarks
- Copyright
- How long does a copyright last?
- Copyright registration
- How do I file a copyright?
- Can I do it online?
- Copyright Notice
- What should a copyright look like?
- What does a Phonorecords right look like?
- Where should these go?
- Trademarks
- Chapter 8
- Distribution - Getting the Music Out There
- Do It Yourself
- Selling Your Music Online
- Digital music sales
- Tales from the industry: Upbeat Records
- What's an aggregator, and what does he or she do?
- Finding a Distributor
- Bringing in the money
- Chapter 9
- Promotion and Marketing
- Learning About Your Target Market
- Creating a Marketing Plan
- It's all in the details
- Alternative Marketing
- Live Performances
- Publicity
- Press kits and promo packages
- Submitting your CD for review
- Advertising
- Planning Publicity Around a New Release
- Social Media (It's Really for Everyone)
- Case Study: Daniel Ennis
- Conclusion
- What Does the Future Hold?
- Photo Credits
- Glossary
- Bibliography
- About the Author.
- Notes:
- Includes bibliographical references (pages 191-193) and index.
- Description based on print version record.
- ISBN:
- 1-62023-204-9
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