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So you want to... join the music industry : here's the info you need / by: Angela Erickson.

EBSCOhost Ebook Public Library Collection - North America Available online

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Format:
Book
Author/Creator:
Erickson, Angela, author.
Language:
English
Subjects (All):
Music trade--Vocational guidance.
Music trade.
Physical Description:
1 online resource (196 pages) : illustrations
Edition:
1st ed.
Place of Publication:
Ocala, Florida : Atlantic Publishing Group, Inc., [2017]
Summary:
The $130 billion music industry is booming, and the ones changing the game are becoming younger and younger. Take Jarett Koral, for example, the 16-year-old founder of Jett Plastic Recordings, or Mac Miller, a famous rapper who topped the charts at 19 years old. Any teen that takes interest in music and wants to channel their creativity into a career will find this book helpful. With details on career opportunities in the three main music industry categories -- record companies, concert business, and digital music -- any young adult will be able to find what they're interested in. This book covers everything from being the artist to being the producer. You will learn the basics of advertising as well as marketing. You will become knowledgeable about everything in the industry, including all of the possible career opportunities. We cover what it takes to be an A&R scout, an artist manager, a music editor, a producer, an audio engineer, a board operator, a booking agent, a composer, a copyist, and even an intern. This new book covers everything that many companies pay consultants thousands of dollars for. If you ever had questions about the music industry, this book is your definitive guide to the answers.
Contents:
Intro
Introduction
Chapter 1
Music Labels
So . . . What's a Music Label Anyway?
What's an Independent Music Label?
Who Are the "Big Three"?
Warner Music Group
Universal Music
Sony Music Holdings
Wait . . . Didn't It Used to Be "The Big Four"?
What Exactly Does a Major Record Label Do?
Independent Labels
Dischord Records
Epitaph Records
Merge Records
Naxos
Orange Mountain
Rounder Records
SST Records
Sub Pop Records
So, How Are Major Labels Different From Independent Labels?
How Do Record Companies Make Money?
What's the "360" deal?
What's a license deal?
What's a net profit deal?
What's a manufacturing and distribution deal?
What does self-release mean?
Tales From the Industry: M.C. Hammer
Chapter 2
Jobs in the Music Industry
Artist
Backup Singer
Songwriter
Composers and Orchestrators
Copyist
A&R Scout
Artist Manager
Producer
Audio Engineer
Board Operator/Audio Engineers
Booking Agent
Intern
Music Editor
Radio Disc Jockey (DJ)
Nightclub Disc Jockey (DJ)
Concert Promoter
Music Journalist
Chapter 3
All About Artists
How Are Artists Found?
Identify with your genre
Tales from the industry: Marvin Gaye
It all starts locally
Signs of a Good Artist
Has originality
Has appeal
Is a good fit for the label (and vice versa!)
Has a market for his or her music
Has the right image
Has an established fan base
Able to give consistent live performances
Willing to travel and make public appearances
Has experience recording in a studio
Is an accomplished musician
Shows professional behavior
Writes his or her own material
Has no contracts with any other record label
Financially stable
Drugs and alcohol
Underage artists.
What Does an Artist Look For in a Record Label?
Understanding Each Other
Chapter 4
Contracts and Agreements
Get Everything in Writing
Finding a Lawyer
When an Artist Signs a Contract
Artist's Agreement
Term of the contract
Pay attention to renewal dates
Territory
Services
Recording Commitment
Recording Procedure
Recoupable Costs
Advances
Rights Granted to the Recording Company
Royalties
Example of a royalty calculation
Royalties for music videos
Royalties for internet downloads
When are royalties paid?
Royalties for producers and mixers
Changing the way royalties are calculated
Changes to laws about royalties
Tales from the industry: Reprise Records
Definitions
Accounting
Sales in foreign countries
Procedure for contesting the validity of a statement
Publishing
Mechanical Royalties
Cross-collateralization
Warranties
Indemnity
Suspension or Termination
Force majeure
Group Provisions
Merchandising Rights
Music Videos
Websites and Digital Rights
Additional Provisions
Chapter 5
Recording and Producing
Your Production Budget
Production Budget for Album
Pre-Production
The administrative tasks
The artist's preparation
The meeting with producer, engineer and artist
The communication channels
Picking Out a Studio
The Producer's Role
The producer's contract
The Recording Engineer's Role
Mixing
Mastering
Case Study: Josh Jones
Manufacturing
Duplication and replication
Artwork and labels
UPC Bar Code
How many to make?
Giveaways
Chapter 6
Non-Exclusive Songwriter Agreement
How Do You Get Paid From These Royalties?
But First, You Need a Music Publishing Company
Co-Publishing Agreement
Exclusive Songwriter Agreement
Administration Agreement.
Licensing
Chapter 7
Copyrights and Trademarks
Copyright
How long does a copyright last?
Copyright registration
How do I file a copyright?
Can I do it online?
Copyright Notice
What should a copyright look like?
What does a Phonorecords right look like?
Where should these go?
Trademarks
Chapter 8
Distribution - Getting the Music Out There
Do It Yourself
Selling Your Music Online
Digital music sales
Tales from the industry: Upbeat Records
What's an aggregator, and what does he or she do?
Finding a Distributor
Bringing in the money
Chapter 9
Promotion and Marketing
Learning About Your Target Market
Creating a Marketing Plan
It's all in the details
Alternative Marketing
Live Performances
Publicity
Press kits and promo packages
Submitting your CD for review
Advertising
Planning Publicity Around a New Release
Social Media (It's Really for Everyone)
Case Study: Daniel Ennis
Conclusion
What Does the Future Hold?
Photo Credits
Glossary
Bibliography
About the Author.
Notes:
Includes bibliographical references (pages 191-193) and index.
Description based on print version record.
ISBN:
1-62023-204-9

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