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Finding Ourselves at the Movies : Philosophy for a New Generation / Paul Kahn.

De Gruyter Columbia University Press eBook Package Backlist 2000-2013 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost Ebook Public Library Collection - North America Available online

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Ebook Central University Press Available online

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Format:
Book
Author/Creator:
Kahn, Paul, author.
Language:
English
Subjects (All):
Motion pictures--Philosophy.
Motion pictures.
Physical Description:
1 online resource (257 p.)
Place of Publication:
New York, NY : Columbia University Press, [2013]
Language Note:
English
Summary:
Academic philosophy may have lost its audience, but the traditional subjects of philosophy-love, death, justice, knowledge, and faith-remain as compelling as ever. To reach a new generation, Paul W. Kahn argues that philosophy must take up these fundamental concerns as we find them in contemporary culture. He demonstrates how this can be achieved through a turn to popular film.Discussing such well-known movies as Forrest Gump (1994), The American President (1995), The Matrix (1999), Memento (2000), The History of Violence (2005), Gran Torino (2008), The Dark Knight (2008), The Road (2009), and Avatar (2009), Kahn explores powerful archetypes and their hold on us. His inquiry proceeds in two parts. First, he uses film to explore the nature of action and interpretation, arguing that narrative is the critical concept for understanding both. Second, he explores the narratives of politics, family, and faith as they appear in popular films. Engaging with genres as diverse as romantic comedy, slasher film, and pornography, Kahn explores the social imaginary through which we create and maintain a meaningful world. He finds in popular films a new setting for a philosophical inquiry into the timeless themes of sacrifice, innocence, rebirth, law, and love.
Contents:
Frontmatter
Contents
Preface
Acknowledgments
Part I. From Philosophy to Film
Introduction
1. Philosophy, Democracy, and the Turn to Film
2. Freedom and Persuasion
3. On Interpretation
Part II. film and the social imaginary
4. Violence and the State
5. Love, Romance, and Pornography
Conclusion: Film, Faith, and Love
Notes
Bibliography: Essays on Sources
Index
Notes:
Description based upon print version of record.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
9780231536028
023153602X
OCLC:
862939715

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