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The lyre of Orpheus : popular music, the sacred, and the profane / Christopher Partridge.
- Format:
- Book
- Author/Creator:
- Partridge, Christopher H. (Christopher Hugh), 1961-
- Language:
- English
- Subjects (All):
- Popular music--History and criticism.
- Popular music.
- Music--Religious aspects--Christianity.
- Music.
- Physical Description:
- 1 online resource (pages cm)
- Place of Publication:
- New York : Oxford University Press, [2014]
- Language Note:
- English
- Summary:
- The myth of Orpheus articulates what social theorists have known since Plato: music matters. It is uniquely able to move us, to guide the imagination, to evoke memories, and to create spaces within which meaning is made. Popular music occupies a place of particular social and cultural significance. Christopher Partridge explores this significance, analyzing its complex relationships with the values and norms, texts and discourses, rituals and symbols, and codes and narratives of modern Western cultures. He shows how popular music's power to move, to agitate, to control listeners, to shape their identities, and to structure their everyday lives is central to constructions of the sacred and the profane. In particular, he argues that popular music can be important 'edgework,' challenging dominant constructions of the sacred in modern societies. Drawing on a wide range of musicians and musical genres, as well as a number of theoretical approaches from critical musicology, cultural theory, sociology, theology, and the study of religion, The Lyre of Orpheus reveals the significance and the progressive potential of popular music.
- Contents:
- Society and culture
- Emotion and meaning
- Transgression
- Romanticism
- Religion.
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references, discography and index.
- Description based on online resource; title from PDF title page (ebrary, viewed December 8, 2013).
- ISBN:
- 0-19-938403-7
- 0-19-934340-3
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