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Redefining Black film

ACLS Humanities eBook Available online

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De Gruyter University of California Press eBook-Package Archive Pre-2000 Available online

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Format:
Book
Author/Creator:
Reid, Mark, Author.
Language:
English
Subjects (All):
African Americans in the motion picture industry.
African Americans in motion pictures.
Physical Description:
1 online resource (x, 170 p. ) ill.
Place of Publication:
[Place of publication not identified] University of California Press 1993
Language Note:
English
Summary:
Can films about black characters, produced by white filmmakers, be considered "black films"? In answering this question, Mark Reid reassesses black film history, carefully distinguishing between films controlled by blacks and films that utilize black talent, but are controlled by whites. Previous black film criticism has "buried" the true black film industry, Reid says, by concentrating on films that are about, but not by, blacks.Reid's discussion of black independent films—defined as films that focus on the black community and that are written, directed, produced, and distributed by blacks—ranges from the earliest black involvement at the turn of the century up through the civil rights movement of the Sixties and the recent resurgence of feminism in black cultural production. His critical assessment of work by some black filmmakers such as Spike Lee notes how these films avoid dramatizations of sexism, homophobia, and classism within the black community.In the area of black commercial film controlled by whites, Reid considers three genres: African-American comedy, black family film, and black action film. He points out that even when these films use black writers and directors, a black perspective rarely surfaces.Reid's innovative critical approach, which transcends the "black-image" language of earlier studies—and at the same time redefines black film—makes an important contribution to film history. Certain to attract film scholars, this work will also appeal to anyone interested in African-American and Women's Studies.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction
1 Early African-American Film Companies
2 African-American Comedy Film
3 Family Film: Black Writers in Hollywood
4 Black Action Film
5 Black Comedy on the Verge of a Genre Breakdown
6 Black Feminism and the Independent Film
7 Male-Directed New Black Independent Cinema
Notes
Selected Bibliography
Index
Index of Film Titles
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. 157-164) and index.
ISBN:
9780520912847
0520912845
9780585274669
0585274665
Publisher Number:
2027/heb08138 hdl

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