The dark fantastic : race and the imagination from Harry Potter to the Hunger Games / Ebony Elizabeth Thomas.

Format:

Book

Author/Creator:

Thomas, Ebony Elizabeth, 1977- author.

Contributor:

NYU Press., Publisher.

Series:

Postmillennial pop.

Postmillennial Pop

Language:

English

Subjects (All):

Fantasy fiction, American--History and criticism--Theory, etc.

Fantasy fiction, American.

Fantasy fiction, English--History and criticism--Theory, etc.

Fantasy fiction, English.

Literature and race.

Black people in literature.

Genre:

Literatura fantastyczna amerykańska.

Physical Description:

1 online resource (181 pages).

Manufacture:

Baltimore, Md. : Project MUSE, 2021

Place of Publication:

New York : New York University Press, 2019.

Language Note:

In English.

Summary:

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination. Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reenvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”

Contents:

Frontmatter

CONTENTS

Introduction: The Dark Fantastic: Race and the Imagination Gap

1 Toward a Theory of the Dark Fantastic

2 Lamentations of a Mockingjay: The Hunger Games’ Rue and Racial Innocence in the Dark Fantastic

3 A Queen out of Place: Dark Fantastic Dreaming and the Spacetime Politics of Gwen in BBC’s Merlin

4 The Curious Case of Bonnie Bennett: The Vampire Diaries and the Monstrous Contradiction of the Dark Fantastic

5 Hermione Is Black: A Postscript to Harry Potter and the Crisis of Infinite Dark Fantastic Worlds

Acknowledgments

Notes

Bibliography

Index

About the Author

Notes:

Includes bibliographical references and index.

Description based on print version record.

ISBN:

1-4798-6419-6

9781479864195

OCLC:

1158314464