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Language, sign, and gender in Beowulf / Gillian R. Overing. [electronic resource]
- Format:
- Book
- Author/Creator:
- Overing, Gillian R., 1952-
- Language:
- English
- Subjects (All):
- Beowulf.
- Semiotics and literature.
- Feminism and literature.
- English poetry--Old English, approximately 450-1100--History and criticism--Theory, etc.
- English poetry.
- Epic poetry, English (Old)--History and criticism--Theory, etc.
- Epic poetry, English (Old).
- Semiotics and literature--England--History--To 1500.
- Feminism and literature--England--History--To 1500.
- Signs and symbols--England--History--To 1500.
- Signs and symbols.
- Symbolism in literature.
- Sex role in literature.
- Epic poetry, English (Old)--History and criticism--Theory, etc--To 1500--England.
- Semiotics and literature--History--To 1500--England.
- Feminism and literature--History--To 1500--England.
- Signs and symbols--History.
- Physical Description:
- 1 online resource (xxvi, 137 p. ) ill. ;
- Place of Publication:
- Carbondale : Southern Illinois University Press, c1990.
- Language Note:
- English
- Contents:
- 1. Language : an overview process:
- Textual effects/affects
- Metonymy : implications for interpretation
- When a Kenning is not a Kenning
- Metonymy in action
- 2. Swords and signs : dynamic semeiosis in Beowulf:
- Interlace, text, and sign
- Peirce's concept of sign
- Words, things, and the space between
- The web of signs
- The giant sword hilt : a path out of secondness
- 3. Gender and interpretation in Beowulf:
- Voices for paradox
- Critical voices
- The Helenization of Hildeburh
- The voice of Wealhtheow : peace-weaver in a double bind
- Modthryth as spectacle and spectator.
- Notes:
- Bibliography: p. 125-132.
- Bibliographic Level Mode of Issuance: Monograph
- ISBN:
- 0-585-02962-8
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