My Account Log in

6 options

Bach's Cycle, Mozart's Arrow : An Essay on the Origins of Musical Modernity / Karol Berger.

De Gruyter University of California Press Backlist eBook-Package 2000-2013 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

EBSCOhost eBook Community College Collection Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online
Format:
Book
Author/Creator:
Berger, Karol, Author.
Language:
English
Subjects (All):
Music--18th century--History and criticism.
Music.
Mozart, Wolfgang Amadeus, 1756-1791--Criticism and interpretation.
Mozart, Wolfgang Amadeus.
Bach, Johann Sebastian, 1685-1750--Criticism and interpretation.
Bach, Johann Sebastian.
Genre:
Electronic books.
Physical Description:
1 online resource (434 p.)
Edition:
1st ed.
Place of Publication:
Berkeley, CA : University of California Press, [2007]
Language Note:
English
Summary:
In this erudite and elegantly composed argument, Karol Berger uses the works of Monteverdi, Bach, Mozart, and Beethoven to support two groundbreaking claims: first, that it was only in the later eighteenth century that music began to take the flow of time from the past to the future seriously; second, that this change in the structure of musical time was an aspect of a larger transformation in the way educated Europeans began to imagine and think about time with the onset of modernity, a part of a shift from the premodern Christian outlook to the modern post-Christian worldview. Until this historical moment, as Berger illustrates in his analysis of Bach's St. Matthew Passion, music was simply "in time." Its successive events unfolded one after another, but the distinction between past and future, earlier and later, was not central to the way the music was experienced and understood. But after the shift, as he finds in looking at Mozart's Don Giovanni, the experience of linear time is transformed into music's essential subject matter; the cycle of time unbends and becomes an arrow. Berger complements these musical case studies with a rich survey of the philosophical, theological, and literary trends influencing artists during this period.
Contents:
Frontmatter
Contents
Illustrations
Introduction
Prelude: L'Orfeo, or the Anxiety of the Moderns
Part I. Bach's Cycle
Part II. Mozart's Arrow
Postlude: Between Utopia and Melancholy
Acknowledgments
Notes
Works Cited
Index
Notes:
Description based upon print version of record.
Includes bibliographical references (p. 393-407) and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)
ISBN:
9786612445743
9781282445741
128244574X
9780520933699
0520933699
OCLC:
558876160

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account