Bartok, Hungary, and the Renewal of Tradition : Case Studies in the Intersection of Modernity and Nationality / David E. Schneider.

Format:

Book

Author/Creator:

Schneider, David E., Author.

Series:

California studies in 20th-century music ; 5.

California Studies in 20th-Century Music ; 5

Language:

English

Subjects (All):

Bartók, Béla, 1881-1945--Criticism and interpretation.

Bartók, Béla.

Music--Hungary--20th century--History and criticism.

Music.

Composers--Hungary--Biography.

Composers.

Physical Description:

1 online resource (321 p.)

Edition:

1st ed.

Place of Publication:

Berkeley, CA : University of California Press, [2006]

Language Note:

English

Summary:

It is well known that Béla Bartók had an extraordinary ability to synthesize Western art music with the folk music of Eastern Europe. What this rich and beautifully written study makes clear is that, contrary to much prevailing thought about the great twentieth-century Hungarian composer, Bartók was also strongly influenced by the art-music traditions of his native country. Drawing from a wide array of material including contemporary reviews and little known Hungarian documents, David Schneider presents a new approach to Bartók that acknowledges the composer's debt to a variety of Hungarian music traditions as well as to influential contemporaries such as Igor Stravinsky. Putting representative works from each decade beginning with Bartók's graduation from the Music Academy in 1903 until his departure for the United States in 1940 under critical lens, Schneider reads the composer's artistic output as both a continuation and a profound transformation of the very national tradition he repeatedly rejected in public. By clarifying why Bartók felt compelled to obscure his ties to the past and by illuminating what that past actually was, Schneider dispels myths about Bartók's relationship to nineteenth-century traditions and at the same time provides a new perspective on the relationship between nationalism and modernism in early-twentieth century music.

Contents:

Frontmatter

Contents

Acknowledgments

Introduction

1. Tradition Rejected: Bartók'S Polemics And The Nineteenth-Century Hungarian Musical Inheritance

2. Tradition Maintained: Nationalism, Verbunkos, Kossuth, And The Rhapsody, Op. 1

3. Tradition Transformed: "The Night'S Music" And The Pastoral Roots Of A Modern Style

4. Tradition Challenged: Confronting Stravinsky

5. Tradition Transcribed: The Rhapsody For Violin No. 1, The Politics Of Folk-Music Research, And The Artifice Of Authenticity

6. Tradition Restored: The Violin Concerto, Verbunkos, And Hungary On The Eve Of World War Ii

Notes

Bibliography

Index

Notes:

Description based upon print version of record.

Includes bibliographical references (p. 283-292) and index.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2020)

ISBN:

9786612759369

9781282759367

1282759361

9780520932050

0520932056

OCLC:

574296949