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Brushes with power : modern politics and the Chinese art of calligraphy / Richard Curt Kraus.

ACLS Humanities eBook Available online

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De Gruyter University of California Press eBook-Package Archive Pre-2000 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Kraus, Richard Curt.
Series:
ACLS Fellows' Publications.
Language:
English
Subjects (All):
Calligraphy, Chinese--Political aspects.
Calligraphy, Chinese.
China--Cultural policy.
China.
Physical Description:
1 online resource (xii, 208 p. ) ill. ;
Other Title:
Modern politics and the Chinese art of calligraphy
Place of Publication:
Berkeley : University of California Press, c1991.
Language Note:
English
Summary:
Chinese calligraphy has traditionally been an emblem of the ruling class and its authority. After a century of mass revolution, what is the fate of this elite art? Richard Kraus explores the relationship beween politics and the art of writing in China today to explicate the complex relationship between tradition and modernity in Chinese culture. His study draws upon a wide range of sources, from political documents, memoirs, and interviews with Chinese intellectuals to art exhibitions and television melodramas.Mao Zedong and other Communist leaders gave calligraphy a revolutionary role, believing that their beloved art reflected the luster of authoritative words and deeds. Calligraphy was joined with new propagandistic mass media to become less a private art and more a public performance. It provided politically engaged citizens with subtle cues to changing power relationships in the People's Republic.Claiming neither that the Communists obliterated traditional culture nor that revolution failed to relieve the burden of China's past, this study subtly examines the changing uses of tradition in a modernizing society.
Contents:
Frontmatter
CONTENTS
PREFACE
PART ONE The Institution of Calligraphy in Imperial China
ONE Chinese Calligraphy as a System of Power
TWO Demystifying Chinese Characters
THREE The Legend of the Calligraphy Sage, Wang Xizhi
FOUR The Brush as an Instrument of Rule
FIVE Art Criticism as Political Commentary
PART TWO Calligraphy and Revolution
SIX The Cultural Dilemma of the Revolutionary Elite
SEVEN The Gentlemen Scholars of the Central and South Lakes
EIGHT The Failed Assault on Chinese Characters
NINE Leninist Calligraphy for Mass Politics
TEN Cultural Revolution Calligraphy: Big Characters and Leftist Lines
ELEVEN Evil Characters, Poison Pens
TWELVE The Unsuccessful Penmanship of Chairman Hua Guofeng
PART THREE Postrevolutionary Calligraphy
THIRTEEN Calligraphy's New C onventions
FOURTEEN A Personal Art in a Changing Society
FIFTEEN The Orchid Pavilion's Modern Legacy
NOTES
CREDITS FOR ILLUSTRATIONS
INDEX
Notes:
Bibliographic Level Mode of Issuance: Monograph
Includes bibliographical references (p. 173-197) and index.
ISBN:
9780520910898
0520910893
9780585043784
0585043787
OCLC:
1408682443
Publisher Number:
2027/heb33059 hdl

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