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Brushes with power : modern politics and the Chinese art of calligraphy / Richard Curt Kraus.
De Gruyter University of California Press eBook-Package Archive Pre-2000 Available online
View online- Format:
- Book
- Author/Creator:
- Kraus, Richard Curt.
- Series:
- ACLS Fellows' Publications.
- Language:
- English
- Subjects (All):
- Calligraphy, Chinese--Political aspects.
- Calligraphy, Chinese.
- China--Cultural policy.
- China.
- Physical Description:
- 1 online resource (xii, 208 p. ) ill. ;
- Other Title:
- Modern politics and the Chinese art of calligraphy
- Place of Publication:
- Berkeley : University of California Press, c1991.
- Language Note:
- English
- Summary:
- Chinese calligraphy has traditionally been an emblem of the ruling class and its authority. After a century of mass revolution, what is the fate of this elite art? Richard Kraus explores the relationship beween politics and the art of writing in China today to explicate the complex relationship between tradition and modernity in Chinese culture. His study draws upon a wide range of sources, from political documents, memoirs, and interviews with Chinese intellectuals to art exhibitions and television melodramas.Mao Zedong and other Communist leaders gave calligraphy a revolutionary role, believing that their beloved art reflected the luster of authoritative words and deeds. Calligraphy was joined with new propagandistic mass media to become less a private art and more a public performance. It provided politically engaged citizens with subtle cues to changing power relationships in the People's Republic.Claiming neither that the Communists obliterated traditional culture nor that revolution failed to relieve the burden of China's past, this study subtly examines the changing uses of tradition in a modernizing society.
- Contents:
- Frontmatter
- CONTENTS
- PREFACE
- PART ONE The Institution of Calligraphy in Imperial China
- ONE Chinese Calligraphy as a System of Power
- TWO Demystifying Chinese Characters
- THREE The Legend of the Calligraphy Sage, Wang Xizhi
- FOUR The Brush as an Instrument of Rule
- FIVE Art Criticism as Political Commentary
- PART TWO Calligraphy and Revolution
- SIX The Cultural Dilemma of the Revolutionary Elite
- SEVEN The Gentlemen Scholars of the Central and South Lakes
- EIGHT The Failed Assault on Chinese Characters
- NINE Leninist Calligraphy for Mass Politics
- TEN Cultural Revolution Calligraphy: Big Characters and Leftist Lines
- ELEVEN Evil Characters, Poison Pens
- TWELVE The Unsuccessful Penmanship of Chairman Hua Guofeng
- PART THREE Postrevolutionary Calligraphy
- THIRTEEN Calligraphy's New C onventions
- FOURTEEN A Personal Art in a Changing Society
- FIFTEEN The Orchid Pavilion's Modern Legacy
- NOTES
- CREDITS FOR ILLUSTRATIONS
- INDEX
- Notes:
- Bibliographic Level Mode of Issuance: Monograph
- Includes bibliographical references (p. 173-197) and index.
- ISBN:
- 9780520910898
- 0520910893
- 9780585043784
- 0585043787
- OCLC:
- 1408682443
- Publisher Number:
- 2027/heb33059 hdl
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