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The Other Blacklist : The African American Literary and Cultural Left of the 1950's / Mary Washington.

De Gruyter Columbia University Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost Ebook Public Library Collection - North America Available online

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EBSCOhost eBook Community College Collection Available online

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Format:
Book
Author/Creator:
Washington, Mary, author.
Language:
English
Subjects (All):
American literature--African American authors--History and criticism.
American literature.
American literature--20th century--History and criticism.
African Americans--Intellectual life--20th century.
African Americans.
Politics and literature--United States--History--20th century.
Politics and literature.
Right and left (Political science) in literature.
Cold War in literature.
Physical Description:
1 online resource (369 p.)
Place of Publication:
New York, NY : Columbia University Press, [2014]
Language Note:
English
Summary:
Mary Helen Washington recovers the vital role of 1950's leftist politics in the works and lives of modern African American writers and artists. While most histories of McCarthyism focus on the devastation of the blacklist and the intersection of leftist politics and American culture, few include the activities of radical writers and artists from the Black Popular Front. Washington's work incorporates these black intellectuals back into our understanding of mid-twentieth-century African American literature and art and expands our understanding of the creative ferment energizing all of America during this period. Mary Helen Washington reads four representative writers-Lloyd Brown, Frank London Brown, Alice Childress, and Gwendolyn Brooks-and surveys the work of the visual artist Charles White. She traces resonances of leftist ideas and activism in their artistic achievements and follows their balanced critique of the mainstream liberal and conservative political and literary spheres. Her study recounts the targeting of African American as well as white writers during the McCarthy era, reconstructs the events of the 1959 Black Writers' Conference in New York, and argues for the ongoing influence of the Black Popular Front decades after it folded. Defining the contours of a distinctly black modernism and its far-ranging radicalization of American politics and culture, Washington fundamentally reorients scholarship on African American and Cold War literature and life.
Contents:
Front matter
Contents
List of Illustrations
Acknowledgments
List of Abbreviations
INTRODUCTION
1. LLOYD L. BROWN: Black Fire in the Cold War
2. CHARLES WHITE: "Robeson with a Brush and Pencil"
3. ALICE CHILDRESS: Black, Red, and Feminist
4. WHEN GWENDOLYN BROOKS WORE RED
5. FRANK LONDON BROWN: The End of the Black Cultural Front and the Turn Toward Civil Rights
6. 1959 Spycraft and the Black Literary Left
EPILOGUE: The Example of Julian Mayfield
Notes
Works Cited
Index
Notes:
Description based upon print version of record.
Pilot project,eBook available to selected US libraries only
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
9780231526470
0231526474
OCLC:
875819059

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