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The elements of academic style : writing for the humanities / Eric Hayot.

De Gruyter Columbia University Press Complete eBook-Package 2014-2015 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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EBSCOhost Ebook Public Library Collection - North America Available online

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EBSCOhost eBook Community College Collection Available online

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Format:
Book
Author/Creator:
Hayot, Eric, Author.
Language:
English
Subjects (All):
English language--Rhetoric--Study and teaching (Higher).
English language.
Academic writing--Study and teaching (Higher).
Academic writing.
Humanities--Study and teaching (Higher).
Humanities.
Critical thinking--Study and teaching (Higher).
Critical thinking.
Physical Description:
1 online resource
Place of Publication:
New York, NY : Columbia University Press, [2014]
Summary:
Eric Hayot teaches graduate students and faculty in literary and cultural studies how to think and write like a professional scholar. From granular concerns, such as sentence structure and grammar, to big-picture issues, such as adhering to genre patterns for successful research and publishing and developing productive and rewarding writing habits, Hayot helps ambitious students, newly minted Ph.D.'s, and established professors shape their work and develop their voices.Hayot does more than explain the techniques of academic writing. He aims to adjust the writer's perspective, encouraging scholars to think of themselves as makers and doers of important work. Scholarly writing can be frustrating and exhausting, yet also satisfying and crucial, and Hayot weaves these experiences, including his own trials and tribulations, into an ethos for scholars to draw on as they write. Combining psychological support with practical suggestions for composing introductions and conclusions, developing a schedule for writing, using notes and citations, and structuring paragraphs and essays, this guide to the elements of academic style does its part to rejuvenate scholarship and writing in the humanities.
Contents:
Frontmatter
Contents
One. Why Read This Book?
Part I. Writing as Practice
Two. Unlearning What You (Probably) Know
Three. Eight Strategies for Getting Writing Done
Four. Institutional Contexts
Five. Dissertations and Books
Six. A Materialist Theory of Writing
Seven. How Do Readers Work?
Part II. Strategy
Eight. The Uneven U
Nine. Structure and Subordination
Ten. Structural Rhythm
Eleven. Introductions
Twelve. Don't Say It All Early
Thirteen. Paragraphing
Fourteen. Three Types of Transitions
Fifteen. Showing your iceberg
Sixteen. Metalanguage
Seventeen. Ending Well
Eighteen. Titles and Subtitles
Part III. Tactics
Nineteen. Citational Practice
Twenty. Conference Talks
Twenty-one. Examples
Twenty-two. Figural Language
Twenty-three. Footnotes and Endnotes
Twenty-four. Jargon
Twenty-five. Parentheticals
Twenty-six. Pronouns
Twenty-seven. Repetition
Twenty-eight. Rhetorical Questions and Clauses
Twenty-nine. Sentence rhythm
Thirty. Ventilation
Thirty-one. Weight
Part IV. Becoming
Thirty-two. Work as Process
Thirty-three. Becoming a Writer
Thirty-four. From the Workshop to the World (as Workshop [as World])
Thirty-five. Acknowledgments
Appendix. A Writer's Workbook
Works Cited
Bibliography
Notes:
Includes bibliographical references.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jul 2019)
ISBN:
9780231537414
0231537417
OCLC:
1013948465

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