My Account Log in

3 options

The films of Andrei Tarkovsky / edited by Sergei Toymentsev.

De Gruyter Edinburgh University Press Complete eBook-Package 2021 Available online

View online

EBSCOhost Ebook Public Library Collection - North America Available online

View online

EBSCOhost eBook Community College Collection Available online

View online
Format:
Book
Author/Creator:
Toymentsev, Sergei, Author.
Contributor:
Toymentsev, Sergey, editor.
Series:
ReFocus. The international directors series.
Edinburgh scholarship online.
ReFocus. The international directors series
Edinburgh scholarship online
Language:
English
Subjects (All):
Motion picture producers and directors--Soviet Union.
Motion picture producers and directors.
Physical Description:
1 online resource (272 pages) : illustrations (black and white).
Place of Publication:
Edinburgh, Scotland : Edinburgh University Press, [2021]
Summary:
Despite an output of only 7 feature films in 20 years, Andrei Tarkovsky has had a profound influence on international cinema. Famous for their spiritual depth and incredible visual beauty, his films have gained cult status among cineastes and are often included in ranking polls and charts dedicated to the 'best movies ever made'. Beginning with the late 1980s, Tarkovsky's highly complex cinema has continuously attracted scholarly attention by generating countless hermeneutic challenges and possibilities for film critics. This book provides a fresh look at the director's legacy, with critical essays by both world-famous and early-career film scholars. It examines Tarkovsky's cinematic techniques and his treatment of genre, landscape and sound and offers highly original interpretations of his oeuvre in the context of film aesthetics, psychoanalysis, philosophy, cultural studies and art history.
Contents:
Intro
List of Figures
Notes on Contributors
Introduction: Refocus on Tarkovsky
Part I Backgrounds
Introduction
1. Tarkovsky's Childhood: Between Trauma and Myth
2. Trava-Travlya-Trata: Tarkovsky's Psychobiography à la Lettre
3. Does Tarkovsky Have a Film Theory?
Part II Film Method
4. The Child's Eye View of War in Ivan's Childhood
5. The Truth of Direct Observation: Andrei Rublev and the Documentary Style of Soviet Cinema in the 1960s
6. Temporality and the Long Take in Stalker
7. Framing Infinity in Tarkovsky's Nostalghia
8. Approaching the Irreal: Realistic Sound Design in Andrei Tarkovsky's Films
Part III Theoretical Approaches
9. Andrei Tarkovsky, Or the Thing from Inner Space
10. Wounds of the Past: Andrei Tarkovsky and the Melancholic Imagination
11. The Flesh of Time: Solaris and the Chiasmic Image
12. Cinema as Spiritual Exercise: Tarkovsky and Hadot
13. Memory and Trace
Part IV Legacy
14. Zvyagintsev and Tarkovsky: Influence, Depersonalization, and Autonomy
15. Von Trier and Tarkovsky: From Antithesis to Counter-sublime
Index.
Notes:
Includes index.
Includes bibliographical references and index.
Description based on print version record.
ISBN:
1-4744-3726-5
1-4744-9534-6
1-4744-3725-7
OCLC:
1245666918

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account