This is not a remix : piracy, authenticity and popular music / Margie Borschke.

Format:

Book

Author/Creator:

Borschke, Margie, author.

Language:

English

Subjects (All):

Remixes--History and criticism.

Remixes.

Sound recordings--Social aspects.

Sound recordings.

Popular music--Social aspects.

Popular music.

Music and the Internet.

Physical Description:

1 online resource (186 pages)

Edition:

1st ed.

Place of Publication:

New York, New York : Bloomsbury Academic, 2017.

System Details:

Mode of access: World Wide Web.

Summary:

Widespread distribution of recorded music via digital networks affects more than just business models and marketing strategies; it also alters the way we understand recordings, scenes and histories of popular music culture.

Contents:

This is not a remix

1.1. Introduction

1.2. Critical approach

2. Copy, a brief history

2.1. The ghost in the digital machine

2.2. The trouble with media history

2.3. "Again, back": Repetition and music's materiality

3. The rhetoric of remix

3.1. Remix as trope

3.2. The extended remix: In the press

3.3. The extended remix: Scholarly use

3.4. Lawrence Lessig's "Remix Culture"

3.5. $t Remix as resistance

3.6. Why the history of remix matters

4. Disco edits: Analog antecedents and network bias

4.1. What a difference a record makes

4.2. Interrupting the rhetoric of remix

4.3. Disco edits, a technical distinction

4.4. $t Hang the DJ

4.5. Walter Gibbons, the break, and the edits that made disco

4.6. Let your body talk

4.7. Are samples copies?

4.8. Parasites, pirates, and permission

4.9. Digital revival and an analog persistence

4.10. Credit to the edit

5. The new romantics

5.1. Piracy's long history

5.2. MP3 blogs as social media

5.3. Material media: MP3 blogs as artifacts and practices

5.4. Provenance as metadata

5.5. Rethinking participation and the folk aesthetic

5.6. Countercultures and anticommercialism

5.7. Networking authenticity

5.8. Analog antecedents: Harry Smith's mystical collection

5.9. Copies, networks, and a poetics of encounter

6. Copies and the aesthetics of circulation.

Notes:

Includes bibliographical references and index.

Description based on online resource; title from PDF title page (ebrary, viewed August 18, 2017).

Description based on publisher supplied metadata and other sources.

ISBN:

1-5013-1893-4

OCLC:

978295709