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Dark energy : Hitchcock's absolute camera and the physics of cinematic spacetime / Philip J. Skerry.

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Format:
Book
Author/Creator:
Skerry, Philip J., author.
Language:
English
Subjects (All):
Hitchcock, Alfred, 1899-1980--Criticism and interpretation.
Hitchcock, Alfred.
Cinematography.
Physical Description:
1 online resource (198 p.)
Place of Publication:
New York : Bloomsbury Academic, an imprint of Bloomsbury Pub. Plc, 2013.
Language Note:
English
Summary:
Alfred Hitchcock and the cinema grew up together. Born in 1899, four years after the first 'official' film showing in Paris, Hitchcock demonstrated an early fascination with the new art of the cinema. He entered the film industry in 1920, and by 1925, he had directed his first feature-length film, The Pleasure Garden. His subsequent film career paralleled the phenomenal growth of the film industry during the years 1925-1976, the year of his last film. In the same way, Hitchcock's films are consonant with the revolutionary theories in the fields of physics and cosmology that were transforming the twentieth century, personified by the genius of Albert Einstein. Philip Skerry's book applies the theories of dark energy, entropy, black holes, and quantum mechanics to Hitchcock's technological genius and camera aesthetics, helping to explain the concept of 'pure cinema' and providing verification for its remarkable power. Including interviews with influential physicists, this study opens up new ways of analyzing Hitchcock's art
Contents:
Introduction: searching for light in the darkness
In search of light and enlightenment
Hitchcock's "absolute camera"
Rear window: the apotheosis of the absolute camera
Two princes of dark energy
Psycho: a new paradigm
The quantum universe of Vertigo
The physicists speak
Epilogue.
Notes:
Description based upon print version of record.
Includes bibliographical references (pages 163-167) and index.
ISBN:
9781623568696
1623568692
9789385936845
9385936840
9781628928631
1628928638
9781623564216
1623564212
OCLC:
1154941490

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