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Hawaiian Hula `Olapa Stylized Embodiment, Percussion, and Chanted Oral Poetry Monika Lilleike

De Gruyter DG Plus PP Package 2016 Part 2 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Author/Creator:
Lilleike, Monika <p>Monika Lilleike, Halau Hula Makahikina, Berlin, Deutschland</p>, Author.
Series:
Theater (Transcript (Firm))
Theater
Language:
English
Subjects (All):
Performance.
Oral Poetry.
Stylization.
Hula.
Hawaii.
Embodied Knowledge.
Practice As Research.
Theatre.
Dance.
Body.
Theatre Studies.
Dance Studies.
Aesthetics.
Local Subjects:
Performance.
Oral Poetry.
Stylization.
Hula.
Hawaii.
Embodied Knowledge.
Practice As Research.
Theatre.
Dance.
Body.
Theatre Studies.
Dance Studies.
Aesthetics.
Physical Description:
1 online resource (339 pages).
Edition:
1st ed.
Other Title:
Lilleike, Hawaiian Hula `Olapa Stylized Embodiment, Percussion, and Chanted Oral Poetry
Place of Publication:
Bielefeld transcript Verlag 2016
Language Note:
In English.
Biography/History:
Monika Lilleike (MFA, PhD, Kumu Hula) works as a performance artist, stage director and lecturer in the field of Asian and Pacific Performance and European Experimental Performance Art and Theory. Lilleike is the head of the traditionally run hula school Halau Hula Makahikina in Berlin. Her research interest ties into: conditions of oral tradition, practices and aesthetics concerning cultural performance practices from the Pacific and Asia, procedures of cross-cultural translation, the senses and embodiment, stylization and embodied knowledge, the development of practice as research understood as methodological tool of cultural studies and performance analysis.
Summary:
Monika Lilleike's performance analytic study on Hawaiian Hula `Olapa reveals how this genuine performing art practice shapes and transmits oral history via a distinct set of performative means of framing and stylization. The intermedial confluence of performance elements, sound, body and words instills an oscillating effect of multisensory experience which echoes a deep rooted sense concerned with place, distinct environmental features, and story line. The study appeals to discussions on intermediality, metaphoricity, and to an anthropology of the senses. It outlines practice as research and embodied knowledge as tools to conduct performance analysis.
Besprochen in:Mitteilungen der Anthropologischen Gesellschaft in Wien, 147 (2017), Hermann Mückler
Contents:
Frontmatter 1 Table of Contents 5 Preface 11 Acknowledgements 13 Introduction 15 Methods I: Practice as Research 37 Methods II: Interart Aesthetics and Performance Analysis 63 Methods III: Scoring Performance Practice 93 Analysis I: Staging Oral Poetry by Means of Hula 'lapa Performance Practice 119 Analysis II: A Performance Aesthetic Study on Stylized Gestural Articulation 155 Analysis III: By Means of Contrast in Performance 239 Analysis IV: Keying Performance Activity - The Call-And-Response Practice in Hula 'lapa Performance 269 Conclusion 293 Appendices 299
Notes:
Includes bibliographical references.
ISBN:
9783839436691
3839436699
OCLC:
967524261

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