The Idea of Art as Propaganda in France, 1750-1799 : A Study in the History of Ideas / James Leith.

Format:

Book

Author/Creator:

Leith, James, author.

Series:

Heritage

Language:

English

Subjects (All):

Art and society.

France--History--Revolution, 1789-1799--Art and the revolution.

France.

France--History--Revolution, 1789-1799--Propaganda.

Genre:

History.

Art.

Electronic books.

Physical Description:

1 online resource (184 pages).

Place of Publication:

Toronto : University of Toronto Press, [1964]

Language Note:

In English.

Summary:

One of the most modern features of the French Revolution was its intention of shaping a new kind of citizen by exposing him from childhood to inspirational messages and behavioral models. In this effort to regenerate the masses the French Revolutionaries sought to employ not only schools, but newspapers, festivals, dramas, poems, songs, paintings, statues, and engravings as well. At the peak of the Terror, French leaders brough tthe West to the threshold of the totalitarian state in the fullest sense of the world: they established a single party state, directed a regimented economy, created a mass army, and sought to mobilize all the media capable of influencing the human mind. In was an interest in both art and the Revolution which led Professor Leith to explore the groth of the idea of using art as one instrument of propaganda. The idea proved to have deep roots in western civilization, going back to classical thinkers, medieval churchmen, and the art officials of such monarchs as Louis XIV. But following the hedonistic rococo art of the first half of the eighteenth century, this idea of didactic art took on a new lease of life, reaching a crescendo during the Terror. This book analyses the contribution of the philosophes, the Encyclopedists, royal officials, art critics, and revolutionary leaders to the resurgence of the idea; it also probes the peculiar psychological assumptions which led eighteeneth-century thinkers to believe in the efficacy of visual propaganda. The outcome of this idea of art as an ideological weapon was involved in the fate of the Revolution itself, yet it was also affected by certain curious tensions already evident in the minds of its advocates under the Old Régime. Lingering interest in purely aesthetic values,k affirmation of the need for creative freedom, and determination to maintain French cultural hegemony, all complicated the effort to turn art into a vehicle of civic instruction. The final chapter examines the rôle of these tensions in the dénouement of the idea in the closing phase of the Revolution.This book should appeal not only to those interested in French civilization, the age of Enlightment, and they French Revolution, but to those concerned with the rôle of art and the artist in modern society as well.

Contents:

Toward the revival of the idea of art as propagande

Diderot's views on the social function of art

The encyclopedia on the utility of art

The demand for didactic art under the old regime

Revolutionary plans to mobilize the fine arts

The sterility of the idea of art as propaganda

Conclusion

An essay on sources.

Notes:

Originally published in 1965, reprinted in 2017.

Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)

ISBN:

9781487585914

1487585918

OCLC:

1048923876