My Account Log in

3 options

Vaudeville Melodies : Popular Musicians and Mass Entertainment in American Culture, 1870-1929 / Nicholas Gebhardt.

De Gruyter University of Chicago Press Complete eBook-Package 2017 Available online

View online

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook History Collection - North America Available online

View online
Format:
Book
Author/Creator:
Gebhardt, Nicholas, author.
Language:
English
Subjects (All):
Vaudeville--United States--19th century--History and criticism.
Vaudeville.
Vaudeville--United States--20th century--History and criticism.
Revues--United States--19th century--History and criticism.
Revues.
Revues--United States--20th century--History and criticism.
Music-halls (Variety-theaters, cabarets, etc.)--United States--History--19th century.
Music-halls (Variety-theaters, cabarets, etc.).
Music-halls (Variety-theaters, cabarets, etc.)--United States--History--20th century.
Popular music--United States.
Popular music.
Physical Description:
1 online resource
Place of Publication:
Chicago : University of Chicago Press, [2017]
Language Note:
In English.
Summary:
If you enjoy popular music and culture today, you have vaudeville to thank. From the 1870s until the 1920s, vaudeville was the dominant context for popular entertainment in the United States, laying the groundwork for the music industry we know today. In Vaudeville Melodies, Nicholas Gebhardt introduces us to the performers, managers, and audiences who turned disjointed variety show acts into a phenomenally successful business. First introduced in the late nineteenth century, by 1915 vaudeville was being performed across the globe, incorporating thousands of performers from every branch of show business. Its astronomical success relied on a huge network of theatres, each part of a circuit and administered from centralized booking offices. Gebhardt shows us how vaudeville transformed relationships among performers, managers, and audiences, and argues that these changes affected popular music culture in ways we are still seeing today. Drawing on firsthand accounts, Gebhardt explores the practices by which vaudeville performers came to understand what it meant to entertain an audience, the conditions in which they worked, the institutions they relied upon, and the values they imagined were essential to their success.
Contents:
Frontmatter
Contents
Acknowledgments
Introduction
Chapter One. That's Entertainment
Chapter Two. There's No Business Like Show Business
Chapter Three. Rites of Passage
Chapter Four. Elementary Structures
Chapter Five. Show Me the Money
Chapter Six. On with the Show
Chapter Seven. In Search of an Audience
Chapter Eight. Vaudeville Melodies
Chapter Nine. Nothing Succeeds Like Success
Chapter Ten. Applause
Notes
Bibliography
Index
Notes:
Previously issued in print: 2017.
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
ISBN:
9780226448725
022644872X
OCLC:
970659217

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account