My Account Log in

5 options

Autochthonomies : Transnationalism, Testimony, and Transmission in the African Diaspora / Myriam J.A. Chancy.

EBSCOhost Academic eBook Collection (North America) Available online

View online

EBSCOhost eBook History Collection - North America Available online

View online

Ebook Central University Press Available online

View online

Ebscohost Ebooks University Press Collection (North America) Available online

View online

eBook Diversity & Ethnic Studies Collection Available online

View online
Format:
Book
Author/Creator:
Chancy, Myriam J. A., 1970- author.
Series:
New Black studies series.
The new Black studies series
Language:
English
Subjects (All):
African diaspora in art.
African diaspora in literature.
Black people--History.
Black people.
African diaspora--History.
African diaspora.
Africa--Civilization.
Africa.
Physical Description:
1 online resource (viii, 231 pages).
Edition:
1st ed.
Place of Publication:
Urbana : University of Illinois Press, 2020.
Summary:
"In this book of textual and cultural studies, Myriam J. A. Chancy focuses on the tropes of transnationalism, testimony and transmission within African diasporic texts. Not a work simply concerned with "racial rehabilitation" or "inclusion" within the dominant discourses of North America and Western Europe, it intends to serve as an intervention in race, Caribbean, African diasporic, and cultural studies by providing a radically new model for a culturally imbedded reading practice of contemporary works by African and African diasporic artists. Its purpose is to reveal the contributions to ontology that such artists deploy. In developing this approach, Chancy revisits the concept of "interpretive communities" from a distinctively African diasporic point of view. She uses concepts derived from contemporary philosophical approaches to subjectivity that revise-and mostly discard-Hegelian principles in order to assert less Eurocentric approaches. Building from these, she develops her neologism autochthonomy (aw-tok-ton-nuh-mee), which describes a practice of subjectivity and agency employed by African diasporic artists. Those artists chosen for this study bring together the experiences, movements, and knowledge of populations of African descent both on the continent and dispersed throughout Europe and the Americans in order to emphasize transnational interactions between African cultural producers and sites."-- Provided by publisher.
Contents:
(Re)Presenting Racial Permeability, (Dis)Ability, and Racial (Dis)Affiliations
Autochthonomous Transfigurations of Race and Gender in Twenty-First-Century Transnational Genocide Testimonial Narratives
Subjectivity in Motion: Caribbean Women's (Dis)Articulations of Being
Autochthonomous Ambiguities: Travel, Memoir, and Transnational African Diasporic Subjects in (Post)colonial Contexts.
Notes:
Includes bibliographical references and index.
Description based on print version record.
Other Format:
Print version: Chancy, Myriam J. A., 1970- Autochthonomies
ISBN:
9780252051906
0252051904
OCLC:
1119742493

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

Find

Home Release notes

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Find catalog Using Articles+ Using your account