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The image of the artist in archaic and classical Greece : art, poetry, and subjectivity / Guy Hedreen (Williams College, MA).

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Format:
Book
Author/Creator:
Hedreen, Guy Michael, 1958- author.
Language:
English
Subjects (All):
Vase-painting, Greek--History.
Vase-painting, Greek.
Vase-painting, Greek--Themes, motives.
Greek poetry--History and criticism.
Greek poetry.
Greek poetry--Themes, motives.
Art and literature--Greece--History--To 1500.
Art and literature.
Subjectivity in art.
Subjectivity in literature.
Arts, Greek--History.
Arts, Greek.
Greece--Intellectual life--To 146 B.C.
Greece.
Physical Description:
1 online resource (xv, 364 pages) : digital, PDF file(s).
Other Title:
The Image of the Artist in Archaic & Classical Greece
Place of Publication:
Cambridge : Cambridge University Press, 2016.
Language Note:
English
Summary:
This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Contents:
Introduction: "I am Odysseus"
1. Smikros and Euphronios : pictorial alter ego
2. Archilochos, the fictional creator-protagonist, and Odysseus
3. Hipponax and his make-believe artists
4. Hephaistos in epic : analog of Odysseus and antithesis to Thersites
5. Pictorial subjectivity and the Shield of Achilles on the Francois vase
6. Frontality, self-reference, and social hierarchy : three Archaic vase-paintings
7. Writing and invention in the vase-painting of Euphronios and his circle
Epilogue: Persuasion, deception, and artistry on a red-figure cup.
Notes:
Title from publisher's bibliographic system (viewed on 11 Nov 2015).
Includes bibliographical references and index.
ISBN:
1-316-45237-9
1-316-45525-4
1-316-45573-4
1-316-45765-6
1-316-45621-8
1-316-45861-X
1-316-33939-4

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