My Account Log in

3 options

How the Materiality of Paint is Intrinsic to the Work of Art [electronic resource] : Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory

EBSCOhost Academic eBook Collection (North America) Available online

EBSCOhost Academic eBook Collection (North America)

EBSCOhost eBook Community College Collection Available online

EBSCOhost eBook Community College Collection

EBSCOhost eBook History Collection - North America Available online

EBSCOhost eBook History Collection - North America
Format:
Book
Author/Creator:
Lawrence, Sharon Orleans.
Language:
English
Subjects (All):
Art--History.
Art--Theory.
Telematics art.
Painting--Philosophy.
Painting--History.
Painting--Themes, motives.
Local Subjects:
Art--History.
Art--Theory.
Telematics art.
Physical Description:
1 online resource (247 p.)
Place of Publication:
: The Edwin Mellen Press, 2013.
Language Note:
English
Summary:
With the invention and ascendance of photography, film and telematics art, has the art of painting become redundant? This book centers on the argument that oil painting, as art-making, remains viable and necessary as a contemporary medium. It does so by examining the materiality present in paint and how it contributes to a viewer's engagement with a painting. Materiality is, literally, the embodiment of the painting's ontology, distilled from the characteristics of the paint, the painter's experience with the paint, and its presentation to the viewer in such a way as to evoke a visceral respon
Contents:
""HOW THE MATERIALITY OF PAINT IS INTRINSIC TO THE WORK OF ART: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory ""; ""Copyright Page ""; ""Dedication ""; ""Table of Contents ""; ""Foreword ""; ""Acknowledgments ""; ""Introduction ""; ""Chapter 1 - The Materiality of What Painting Was ""; ""Chapter 2 - The Materiality of What Painting Is ""; ""Chapter 3 - The Materiality of Paint ""; ""Chapter 4 - The Materiality of Paint and Painters ""; ""Chapter 5 - The Materiality of Experience, Painterliness ""
""Chapter 6 - The Materiality of Experience, Markmaking """"Chapter 7 - The Materiality of Experience, Artist's Intent and the Viewer ""; ""Conclusion ""; ""Bibliography ""; ""Index ""
Notes:
Description based upon print version of record.
Description based on publisher supplied metadata and other sources.
ISBN:
0-7734-0738-3
OCLC:
856869064

The Penn Libraries is committed to describing library materials using current, accurate, and responsible language. If you discover outdated or inaccurate language, please fill out this feedback form to report it and suggest alternative language.

We want your feedback!

Thanks for using the Penn Libraries new search tool. We encourage you to submit feedback as we continue to improve the site.

My Account

Shelf Request an item Bookmarks Fines and fees Settings

Guides

Using the Library Catalog Using Articles+ Library Account