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In/visible War : The Culture of War in Twenty-first-Century America / Jon Simons, John Louis Lucaites.

De Gruyter Rutgers University Press Complete eBook-Package 2017 Available online

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EBSCOhost Academic eBook Collection (North America) Available online

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Format:
Book
Contributor:
Adelman, Rebecca A.
Berman, Nina.
Bose, Purnima, 1962-
Breger, Claudia.
Campbell, David, 1972-
Der Derian, James.
Gilbert, Christopher J.
Gordon, Jeremy G.
Kilgore, De Witt Douglas.
Kozol, Wendy, 1958-
Lucaites, John Louis, editor.
Madeira, Jody Lyneé.
Rubenstein, Diane, 1953-
Simons, Jon, 1961-
Stahl, Roger.
Series:
War culture.
War Culture
Language:
English
Subjects (All):
War in mass media.
Mass media and war--United States.
Mass media and war.
War and society--United States--History--21st century.
War and society.
Physical Description:
1 online resource (286 pages).
Edition:
1st ed.
Place of Publication:
New Brunswick, NJ : Rutgers University Press, [2017]
Language Note:
In English.
Summary:
In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that "America" is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.
Contents:
Frontmatter
Contents
Introduction: The Paradox of War's In/visibility / Lucaites, John Louis / Simons, Jon
Part I: Seeing War
1. How Photojournalism Has Framed the War in Afghanistan / Campbell, David
2. Returning Soldiers and the In/visibility of Combat Trauma / Gilbert, Christopher J. / Lucaites, John Louis
3. (Re)fashioning PTSD's Warrior Project / Gordon, Jeremy G.
4. Unremarkable Suffering: Banality, Spectatorship, and War's In/visibilities / Adelman, Rebecca A. / Kozol, Wendy
Transition
"War Is Fun," a Photo-Essay / Berman, Nina
5. Laying bin Laden to Rest: A Case Study of Terrorism and the Politics of Visibility / Madeira, Jody Lyneé
Part II: Not Seeing War
6. Digital War and the Public Mind: Call of Duty Reloaded, Decoded / Stahl, Roger
7. A Cinema of Consolation: Post-9/ 11 Super-Invasion Fantasy / Kilgore, De Witt Douglas
8. Differential Configurations: In/visibility Through the Lens of Kathryn Bigelow's The Hurt Locker (2008) / Breger, Claudia
9. The Canine-Rescue Narrative, Civilian Casualties, and the Long Gulf War / Bose, Purnima
Part III: Theorizing the In/visibility of War
10. The In/visibility of Liberal Peace: Perpetual Peace and Enduring Freedom / Simons, Jon
11. Why War? Derrida, Baudrillard, and the Absolute Televisual Image / Rubenstein, Diane
12. War in the Twenty-First Century: Visible, Invisible, or Superpositional? / Der Derian, James
Acknowledgments
Notes on Contributors
Photo Credits
Index
Notes:
Includes bibliographical references and index.
Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
ISBN:
0-8135-8539-2
0-8135-8540-6
OCLC:
987474119

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